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old milon essay LES RFRENCES BIBLIOGRAPHIQUES. Cette page se découpe en deux parties : dans la première, vous trouverez une liste, non exhaustive, d'ouvrages généraux sur la chanson de geste. Training. Dans la seconde, les chansons sont classées alphabétiquement avec des articles ou ouvrages spécifiques pour chacune d'elles. Voici l'explication des abrviations usites dans les rfrences : CCGB = Chevalier au Cygne et Godefroi de Bouillon. CCM = Cahiers de Civilisations Mdivales. HLF = Histoire Littéraire de la France. PUF = Presses Universitaires de France. PUL = Presses Universitaires de Lyon. RCC = Revue des Cours et des Confrences.

Rom. Sample Contract Template. Gan = Romanica Gandensia. ZRP = Zeitschrift fr romanische Philologie. BECK, J. Letterheadweight. B., La musique des Chansons de geste, dans C omptes rendus Acad. Writing Research Method: Guide. I et B-L , 1911, p. 39-45. BDIER, Joseph, Les lgendes piques, recherches sur la formation des chansons de geste , Paris, 1908-13, 4 vol. ; nouv. Letterheadweight. d. 1914-21 ; 3e d. Psychotherapy Progress Notes Template Search | Progress. 1926-29. Letterheadweight Training. BENDER, Karl-Heinz, König und Vasall. Untersuchung zur Chanson de Geste des XII. Service Agreement Contract. Jahrhunderts , Studia Romanica, 13, Heidelberg : Carl Winter, 1967. BESCH, mile, Les adaptations en prose des chansons de geste au XV e et au XVI e sicle, Revue du Seizime sicle , III, 1915, pp.

151-181. BICHON, Jean, L’Animal dans la littrature franaise du XII e et du XIII e sicle , Lille, Service de reproduction des thses, 1976, (2 vol.). BLOCH, Marc, Les rois thaumaturges , Strasbourg, 1924. BLOCH, Howard, tymologie et gnalogie, Une anthropologie littraire du Moyen Age franais , Paris, Le Seuil, 1989. Letterheadweight. (version anglaise originale : The University of Chicago Press, 1983). BOSSUAT, Robert, Histoire de la Littrature Franaise I, Le Moyen Age , Paris, Gigord , 1931. BOUTET, Dominique, Les fabliaux , coll. tudes littraires, PUF, Paris, 1985. Compensation Plan Template - Free Word, Pdf Documents | Creative. BOUTET, Dominique, La chanson de geste . Letterheadweight Training. Forme et signification d'une écriture épique au Moyen Age , PUF, Paris, 1993. BOUTET, Dominique, Le cycle de Guillaume d'Orange, Anthologie , Paris, collection Lettres Gothiques , 1996.

BRAET, H., Le songe dans la chanson de geste au XIIe sicl e , Gand, Romanica Gandensia 14, 1975. BREUER, Hermann, Uber den Verfasser dreier der letzten Chansons de Geste, ZRP , 42 (1923), p. 578-586. Sample Production Contract | Create Professional. BROSSE, Jacques, Mythologie des arbres , Plon, 1989. CALIN, William, The Epic Quest , Baltimore : Johns Hopkins Univ. Press, 1966. COMBARIEU du GRES, Micheline de, L’idal humain et l’exprience morale chez les hros des chansons de geste - des origines 1250 - , Aix-en-Provence, Publications de l’Universit de Provence, 2 tomes, 1979. Letterheadweight Training. COMFORT, W. W., The Literary Role of the Saracens in the French Epic, Publications of the Psychotherapy Progress Notes Template - Google Search Modern Language Association of America , 55 ( 1940), p. 628-659. CROSSLAND, Jessie, Virgil and the old French epic, dans MLR , t. XXII, 1928, pp. Letterheadweight Training. 164-73. DESSAU, Adalbert, L'idée de la trahison au moyen-âge et son rôle dans la motivation de quelques chansons de geste., CCM , 3 (1960), p. 23-26. DICKMANN, A. Writing Research / Term Papers Method: A Brief. J., Le rle du surnaturel dans les chansons de geste , Paris, 1926.

DOUTREPONT, G., Les mises en prose des popes et des romans chevaleresques du XIV e au XVI e sicle , Bruxelles, 1939. DUBY, Georges, Les Trois Ordres ou l'Imaginaire du fodalisme , Paris, 1978. FALK, J., Antipathies et sympathies dmocratiques dans l'pope franaise du Moyen ge, Mlanges C. Letterheadweight. Walhund , 1896, p. Appointment. 109-122. FLUTRE, L., Table des noms propres figurant dans les romans du Moyen Age , Poitiers, 1962. FOUCHE, P., Phontique historique du franais , Paris, 1966. FOULET, L., Petite syntaxe de l'ancien franais , Paris, 1930.

GALENT-FASSEUR, Valérie, L'épopée des pèlerins . Motifs eschatologiques et mutations de la chanson de geste , PUF, 1997. GAUTIER, Lon, Histoire de la Langue et de la Littrature franaise des Origines 1900 publie sous la direction de L. Letterheadweight. Petit de Julleville , Paris, Armand Colin, I, pp. 104-106. GAUTIER, Lon, Bibliographie des chansons de geste , Paris, 1897. GAUTIER, Lon, Les popes franaises. tudes sur les origines et l’histoire de la littrature nationale , Paris, Victor Palm, 1865-1867, 3 vol. Contract. Remaniement en quatre volumes, Paris, 1878-94. GAUTIER, Léon, Les Epopées françaises, étude sur les origines et l'histoire de la littérature nationale , 5 vols. Paris, Société générale de librairie catholique, Victor Palmé, directeur, 1878 ; vol. II : Paris : Librairie Univ. Letterheadweight Training. H. Writing Method: A Brief Guide. Welter, 1892 ; vol.

III : Paris : Palmé, 1880 ; vol. Letterheadweight. IV : Paris : Palmé, 1882. GOSSEN, Ch., Grammaire de l'ancien picard , Paris, 1970. GOTHEIN, P., Die antiken Reminiszenzen in Consulting Service Agreement Contract | Create Professional den Chansons de geste , dans ZfS , t. L, 1927, pp. 39-84. GRISWARD, Jol H., Archologie de l’pope mdivale , Paris, Payot, 1981. GUIDOT, Bernard, Recherches sur la chanson de geste au XIII e sicle d’aprs certaines њuvres du cycle de guillaume d’Orange , Aix-en-Provence, Marseille, Publications de l’Universit de Provence, 1986, 2 vol. GUIETTE, Robert, Forme et senefiance , Genve, Publications Romanes et Franaises, Droz, 1978. Letterheadweight. HEGEL, Esthétique , traduction de S. Production Contract | Create. Jankélévitch, 4 tomes, Flammarion, Champs, 1979.

HOEPFFNER, Ernest, Les rapports littraires entre les premires chansons de geste, dans Studi med ., t. Training. IV, 1931, pp. Service Agreement | Create. 233-58 ; VI, 1933, pp. 45-81. HOEPFFNER, Ernest, La chanson de geste et les dbuts du roman courtois, dans Mlanges Jeanroy , Paris, 1928, pp. 427-37. Letterheadweight. HOMERE, l' Odyssée , éd. traduite et présentée par Mario Meunier, coll. Le cercle du bibliophile , imprimé en Allemagne. HOMERE, l' Iliade , éd. traduite et présentée par Mario Meunier, préface de Fernand Robert, coll.

Le livre de Poche , Paris, 1985. IMBS, P., La technique littraire des chansons de geste , Actes du colloque de Lige, Belles Lettres, 1959. Writing And Citations A Brief Guide. LABANDE, Edmond-René, Le crédo épique. Training. A propos des prières dans les chansons de geste, dans Recueil de travaux offerts à M. Clovis Brunel . Service | Create Professional. Mémoires et documents publiés par la Société de l'Ecole de Chartes, Paris, 1955, II, pp. Training. 62-80. LAFONT, R., Oncles et Neveux , Et c’est la fin por quoy sommes ensemble. Hommages J. Dufournet , Champion, 1993, t. Appointment Letter. II, p. Training. 839-854. LANGLOIS, Ernest, Table des noms propres de toute nature compris dans les chansons de geste imprimes , Paris, 1904. Rimpression, New-York, 1971. LEJEUNE, Rita, Les thories relatives aux origines des chansons de geste, dans Revue des Cours et Confrences , t. Psychotherapy Template - Google. XXXVIII, I, 1937, pp. Letterheadweight Training. 594-609 et 673-83.

LOT, Ferdinand, tudes sur les lgendes piques franaises, V, La Chanson de Roland , dans Romania , t. Research / Term And Citations Guide. LIV, 1928, pp. 357-80. LOTE, G., Histoire du vers franais , Paris, 1949-1955. MADELENAT, Daniel, L'pope , Paris, P.U.F., 1986, (Littratures modernes). MALFAIT-DOHET, Monique, Le hros pique du XIVe sicle est-il l'image archaque d'un monde qui s'efface ou le reflet d'un monde nouveau ? Nouveaux mondes. Letterheadweight. , p. 73-85, Rencesvals 1990-91. MANDACH, Andr de, Naissance et dveloppement de la chanson de geste en Europe , III, Chanson d'Aspremont , Genve, 1975. MARTIN, Jean-Pierre, Les motifs dans la chanson de geste , DTC , Paris III, 1984. MENARD, Philippe, Le Rire et le sourire dans le roman courtois , Droz, Genve, 1969.

MENARD, P., Syntaxe de l'ancien franais , Bordeaux, 1973. Ramky &conformation Letter. MERCERON, J., Le message et sa fiction. Letterheadweight. La communication par messager dans la littérature française des XIIe et XIIIe siècles, Berkeley, University of Plan - Free Word, | Creative California Press, 1998. MEYER, Paul, Recherches sur l'pope franaise , dans BEC, t. Letterheadweight Training. XXVIII, pp. Sample Video Contract Template | Create. 28-63, 304-42. MOISAN, A., Rpertoire des noms propres de personne et de lieux cits dans les chansons de geste franaises et dans les oeuvres trangres drives , 5 vol., Genve, Droz, 1986. NYROP, C., Storia dell'epopea , Firenze, 1886. OLSCHKI, L., Paris nach den altfranzsischen natinalen Epen. Letterheadweight. Topographie, Stadtgeschichte und lokale Sagen , Heidelberg, 1913. OLSCHKI, L., Das ideale Mittelpunkt Frankreichs in Sample Video Contract Template Professional Mittelalter, in Wirklichkeit und Dichtung , Heidelberg, 1913.

PARIS, Gaston, Histoire potique de Charlemagne , Paris, 1865, nouv. d. 1905. PARIS, Gaston, Esquisse historique de la littrature franaise au Moyen Age (depuis les origines jusqu' la fin du XVe sicle) . Letterheadweight. Paris, Armand Colin, 1907. PAYEN, Jean-Charles, Le lai narratif , in Appointment Typologie des sources du Moyen Age occidental , fasc. 13, Brepols, Turnhout, 1975, p. 47. POIRION, Daniel, dans le Dictionnaire des genres et notions littraires, Encyclopaedia Universalis , Paris, Albin Michel, 1997, pp. Letterheadweight Training. 396-397. POPE, K. Appointment &conformation. M., Four chansons de geste.

A study in Letterheadweight old French epic versification, dans MLR , t. Production | Create. VIII, 1913, pp. Letterheadweight Training. 352-67. RAJNA, Pio, Le Origini dell' epopea francese , Firenze, 1884. RICOEUR, Paul, Temps et récit , 4 tomes, Seuil, Paris, 1983. ROSSI, Marguerite, Les squences narratives strotypes, Mlanges Pierre Jonin, Snfiance n° 7 . RYCHNER, Jean, La chanson de geste : essai sur l'art épique des jongleurs, Genève, Droz, 1955 . SAUERLAND, E., Ganelon und sein Geschlecht im afr. Writing Research / Term Papers And Citations A Brief Guide. Epos , 1886.

SCHMITT, J.-C., La ‘dcouverte de l’individu’ : une fiction historiographique ? , La Fabrique, la Figure et la Feinte. Training. Fictions et statut des fictions en psychologie , dir. P. Plan - Free Pdf Documents. Mengal et F. Letterheadweight. Parot, Paris, Vrin, 1989, p. 213-236. SERPER, Arie, Les sarrasins en France et Paris, dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, pp. Sheet Microsoft Word. 983-997. SICILIANO, Italo, Le Origini delle canzoni di gesta , Padoue, 1940. SMITH, H. Letterheadweight. A., La femme dans les chansons de geste, dans Colorado Coll.

Stud ., t. Writing Research Method: A Brief. IX, 1904, p. 6-24. SUARD, Franois, L'pope franaise tardive (XIV e -XV e s.), Mlanges Jules Horrent , Paris , 1980, p. Training. 449-460. SUARD, Franois, Chanson de geste et tradition pique en France et au Moyen Age , Paris, 1994, 3me partie. SUARD, Franois, Le personnage de Charlemagne dans les proses piques imprimes, dans Charlemagne et l'pope romane , 1978, pp. 271-280. SUARD, Franois, La chanson de geste , collection Que sais-je ? , Paris, P.U.F., 1993. VALLECALLE, Jean-Claude, Messages et ambassades dans l'épopée française médiévale. Contract Template | Create Professional. L'illusion du dialogue , Paris, Champion, 2006. VAN den BOOGARD, N., Le caractre oral de la chanson de geste tardive, Langue et littrature franaises du Moyen Age , Assen, 1978, pp. 25-38. WALTER, Henriette, Le franais dans tous les sens , Paris, Laffont, 1988.

WILLEM, A. Letterheadweight Training. L'épopée, ses lois, son histoire , Bruxelles, De Boeck, 1927. WILLIAMS, Ralph C., The merveilleux in the Epic , Paris, 1925. WILMOTTE, Maurice, L'pope franaise, origine et laboration , Paris, 1939. ZINK, Michel, La subjectivit littraire. Autour du sicle de Saint Louis , Paris, 1985. ZINK, Michel, Les voix de la conscience, Parole du pote et parole de Dieu dans la littrature mdivale , Caen, Paradigme , 1992. ZUMTHOR, Paul, Histoire littraire de la France mdivale , Paris, 1954. Ouvrages spcifiques chaque chanson : BEDIER, Joseph, La conqute de la Bretagne par le roi Charlemagne, dans Lgendes piques , t. - Google | Progress. II, pp. 99-142. VAN WAARD, R., Amer le chtif, dans Neophil ., t. Letterheadweight. XXV, 1940, pp.

82-88. WEEKS, R. Amer le chtif, dans PMLA , t. XVII, 1902, pp. 411-434. PARIS, Gaston, Sur un pisode d' Aimeri de Narbonne , dans Romania , t. IX, 1880, p. 515. PARIS, Gaston, Naimeriou Aymeric, dans Mlanges Couture , Toulouse, 1902. SUCHIER, H. Die Grotten von Rochebrune, dans ZRP , t. XXXI, 1907, pp. 607-608. WEISKE, H., Quellengeschichliches zu Aimeri de Narbonne, dans AH , t. Word,. CVII, 1901, pp. Letterheadweight. 129-132. DELBOUILLE, Maurice, Problmes d'attribution et de composition.

I. Template Pdf Documents. De la composition d' Aiol , dans Rev. belg. Training. et Hist. Writing And Citations Method: A Brief. , t. XI, 1932, pp. 45-75. Letterheadweight. FAURIEL, Histoire de la poésie provençale , II, pp. 265 ; 273-75 ; 283 ; 296-99. JUBINAL, A., Oeuvres de Rutebeuf , éd. Sample Template Professional. 1875, III, pp. 102-113.

PARIS, P. Training. dans Histoire littéraire , XXII, pp. Ramky Appointment &conformation. 274- SCHNEEGANS, F. Training. Ed., Zur chanson de geste Aiol et Mirabel , dans Beitrge zur roman. &conformation Letter. Phil. , Festgabe fr Gustav Grber , Halle, 1899, pp. 397-413. BEDIER, Joseph, Recherches sur le cycle de Guillaume d'Orange, dans Annales du Midi , t. Letterheadweight. XIX, 1907, pp. 5-39, 153-205. FISCHER, F. Production Contract | Create. W., Der Stil des Aliscans-Epos ; diss. Letterheadweight Training. Rostock, 1930. FRISCIA, Alberto, Le personnage de Rainouart au Tinel dans la chanson d' Aliscans , dans Ann.

Univ. de Grenoble , t. XXI, 1909, pp. 43-98. KLAPTKE, A., Das Verhltnis von Aliscans zur Chanson de Guillaume , diss. Papers Guide. Halle, 1907. LORENZ, P., Das Handschriftenverhltnis der Chanson de geste Aliscans ; diss. Letterheadweight Training. Halle, 1907 et ZRP , t. XXXI, 1907, pp. 385-431.

RASCH, Paul, Verzeichnis der Namen der Altfranz. Chanson de geste Aliscans , Progr. des klg. Research / Term Method: Guide. Domgymnasiums Magdeburg , 1909. WEEKS, Raymond, The Messenger in Letterheadweight Training Aliscans , Boston, 1897 ( Stud. and | Progress notes in Letterheadweight Phil. and Notes - Google Search | Progress Lit ., vol. Letterheadweight Training. V). WEEKS, Raymond, Etudes sur Aliscans , dans Romania , T. Consulting Service Contract | Create. XXX, 1901, pp. 184-197 ; t. Training. XXXIV, 1905, pp. Fax Cover Word. 237-277 ; t. Training. XXXVIII, 1909, pp; 1-43.

Le mystre de l'Archamp, dans Medioevo romanzo , XIII (1988)-2, pp. 161-180. Antrieurement l'apparition des versions en langue vulgaire, la lgende d'Ami et d'Amile se trouve dans la Vita Amici et Amelii publie par E. Klbing (n° 180), pp. 97-110 et dans l'ptre II de Raoul le Tourtier publie dans les oeuvres compltes du pote par Marburg B. Consulting Service Contract | Create. Ogle et Dorothy M. Letterheadweight. Schullian ( Papers and monographs of the Ramky Appointment &conformation American Academy in Training Rome , VIII), Roma, 1933, pp. 256-267. BAR, Francis, Les ptres latines de Raoul le Tourtier (1065 ? - 1114 ?) . Consulting Agreement Professional. tudes de sources. La lgende d'Ami et d'Amile , Paris, 1937.

BEDIER, Joseph, Les lgendes piques , 2me dition, 1917, t. II, pp. Letterheadweight Training. 184-186. CERTAIN, Eugne de, Deux rapports sur une mission Rome en 1854 et 1855, dans Archives des Missions scientifiques et littraires , t. Consulting Service Agreement | Create. V, Paris, 1856, pp. Training. 117-128. DEMBOWSKI, Peter F., « La prétendue geste de Blaye », Actas del XI Congreso Internacional de Linguistica y Filologia Romanicas , Madrid, 1968, pp. Sample Video Production Template | Create. 841 à 851.

FOEHR-JANSSENS, Yasmina, « La mort en fleurs. Violence et posie dans Ami et Amile », dans Cahiers de civilisation mdivale , X e -XII e sicles , 1996, pp. 263-274. HOFFMANN, Karl, Amis et Amiles et Jourdains de Blaivies. Training. Zwei altfranzsiche Heldengedichte des Karolingischen Sagenkreises . 2e dition erlangen, Deichert, 1882. HUET, Gdon, « Ami et Amile : les origines de la lgende », dans Le Moyen Age , 2e srie, t. XXI, 1919, pp. Compensation Template - Free. 162-186.

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Romans des douze pairs de France 1. Writing And Citations Method: A Brief. Paris: Techener, 1832. PLANCHE, Alice. Letterheadweight Training. Roland fils de personne: Les structures de la parenté du héros dans le manuscrit d'Oxford. Tyssens, Charlemagne et l'épopée romane, 1978. 2: 595-604. PLANCY, J. Contract Template | Create Professional. Collin, de. La Reine Berthe au grand pied et quelques légendes de Charlemagne. Letterheadweight. Société pour la propagation des bon [sic] livres. Ramky Appointment Letter. Paris: Librarie centrale de la Société, 1854. RAJNA, Pio, ed.

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108). BRANDIN, Louis, Le manuscrit de Hanovre de la Destruction de Rome et de Fierabras , dans Rom. , t. XXVIII, 1899, pp. 489-507. Letterheadweight Training. BRANDIN, Louis, La Destruction de Rome et Fierabras ; ms. Egerton 3028, du Mus. Psychotherapy Progress Template Search. Brit., Londres , dans Rom. , t. Letterheadweight. LXIV, 1938, pp. | Creative. 18-100. JARNIK, H., Studie ber die Komposition der Fierabrasdichtungen ( Fierabras , Destruction de Rome ), Halle a. Saale, 1903.

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505-514. LIMENTANI, Alberto, Astronomia, astrologia e arti magiche nell' Entre d'Espagne , dans Medioevo e Rinascimento Veneto, con altri Studi in onore di Lino Lazzarini , Padova, 1979, I, pp. Research And Citations Method:. 129-146. MONTEVERDI, Angelo, Un fragment manuscrit de L'entre d'Espagne , dans CCM , t. 3, 1960, pp. 75-78. LIMENTANI, Alberto, Raimon d'Avinho con provenzali e catalani nelle rime dell' Entre d'Espagne , dans Miscel.lnia Aramon i Serra. Estudis de llengua i literatura catalanes oferts a R. Aramon i Serra en el seu setant aniversari , Barcelona, 1980, II, pp. 277-289. LIMENTANI, Alberto, Venezia e il pericolo turco nell' Entre d'Espagne , dans CN , t. Letterheadweight Training. 40, 1980, pp. 165-181.

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MANDACH, André de, Les textes et festivals du Fierabras en Ibérie et en Amérique Latin. Plaidoyer en faveur de la littérature orale, épine dorsale de la littérature des chansons épiques mondiales dans Filologia Romanza e cultura medievale. Compensation Template | Creative. Studi in Letterheadweight onore di Elio Melli , a cura di Andrea Fasso et alii, Allessandria, éd. dell'Orso, 1998, pp. Fax Cover. 471-475. Training. MANDACH, André de, The evolution of the matter of A Brief Guide Fierabras . Letterheadweight Training. Present state of research dans Romance Epic. Essays on Writing Papers A Brief a medieval literary genre, éd. by Letterheadweight Hans-Erich Keller, Kalamzoo, Michigan, Medieval Inst. Sample Template. Publ., 1987, pp. Letterheadweight. 129-139. Sample Video. MANDACH, André de, Table ronde sur la geste de Fierabras dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, II, pp.

1209-1245. Letterheadweight. MANDACH, André de, La geste de Fierabras ou le jeu du réel et de l'invraissemblable, dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, II, pp. Notes Template - Google. 843-857. Letterheadweight. MARINONI, Maria Carla, Fierabras, anonimo in &conformation Letter prosa, Parigi B.N. ms. Letterheadweight. 2172 , Milano, 1979. Appointment &conformation. (Transcription du manuscrit en prose) MELLI, Elio, Rapports entre les versions française, provençale et italienne de Fierabras . Letterheadweight. Ressemblances et différences structurales, stylistiques et registrales, intertextualité dans Au carrefour des routes d’Europe : la chanson de geste, Xe congrs international de la socit Rencesvals pour l’tude des popes romanes , Publications du CUER MA, Senefiance n°21, Universit de Provence, 1987, II, pp.

879-896. MIQUET, Jean, Fierabras, roman en prose de la fin du XIVe siècle , Ottawa, 1983. (Transcription du manuscrit en prose) PEARCY, Roy J., An episode in Research A Brief Gui de Warewic and Fierabras , dans Kentucky Romance Quarterly , Lexington, XXVI, 1979, pp. Letterheadweight Training. 125-132. Consulting Service | Create Professional. SMYSER, H. M., A new manuscript of the Letterheadweight Destruction de Rome and Plan Template Pdf Documents Fierabras, Harvard Stud., XIV, 1932, pp. Letterheadweight Training. 339-349. TITS, Anne, La lgende de Fierabras (Dissertation prsente l'Universit de Louvain ; Doctorat en Philosophie et Lettres ; encore manuscrite), 1938. Consulting Contract Professional. WILLIAMS, Harry F., Calderon and Training Fierabras, dans Olifant, X, 1983-1984, pp.

132-139. Dit de Flourence de Romme (remaniement en prose). Writing Research / Term Papers Method: Guide. A. JUBINAL l'a publi dans son Nouveau recueil de Contes, Dits, Fabliaux et autres pices indites des XIIIe, XIVe et XVe sicles , 1839, t. 1, pp. Letterheadweight. 88-117. B.N.F. Sample Production Contract Template | Create. fr. 24384 (ms. Letterheadweight. Q) : remaniement de la chanson en alexandrins. Sample Video Production Contract Template Professional. Mais l'histoire est trs diffrente. Il existe une version espagnole en prose publie en 1864 par Amador de los Rios dans son Historica critica de la literatura espanola , t. Letterheadweight. V, pp. 391-468, d'aprs un manuscrit de la Bibliothque de l'Escurial (ms. Research / Term And Citations Guide. h. j. Letterheadweight Training. 12). Le bone Florence of Rome (version anglaise en couplets de douze vers d'aprs le manuscrit Ff.

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424-426. CALIN, William C., The Old french Epic of Research Papers And Citations Method: A Brief Revolt : Raoul de Cambrai, Renaud de Montauban, Gormond et Isembard , Genève, Droz, 1962. FOERSTER, W., Jenaer Literaturzeitung , III, n35, 1876, pp. 557-559. Training. FOESRTER, W., Zeitschrift für französiche Sprache und Litteratur , XXIV, p. Consulting Service Contract | Create Professional. 204. FLURI, Theodor, Isembart et Gormont. Entwicklung der Sage und historische Grundlage , Basel, 1895. Training. HARD AF SEGERSTAD, K., Sur l'âge et l'auteur du fragment de Bruxelles (Uppsatser i romansk filologi tillagnade Professor P. A. Sample Production Contract. Geijer , Uppsala, 1901, pp. Training. 127-139.

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BOSSUAT, Robert, La lgende de Hugues Capet au XVIe sicle, Mlanges H. Training. Chamard , 1951, p. 29-38. DEUTSCHMANN, Albert, Untersuchung über die Sprache der Chanson de geste Hugues Capet und über die Identität des Verfassers mit dem des Bauduin de Sebourc , Inaugural-dissertation Leipzig, Halle : H. John, 1909. FERRIERE, A., Hugues Capet, chanson de geste du XIVe sicle, Etude d'histoire littraire, Positions des thses cole de Chartres , 1950, p. 49-51. GIER, Albert, Hugues Capet le pome de l'harmonie sociale, dans Essor et fortune de la chanson de geste dans l'Europe et l'Orient latin , p. Compensation - Free Word,. 69-75. Letterheadweight Training. Actes du IXe Congrs International de la Socit Rencesvals pour l'tude des popes romanes, Padoue -Venise 29 aot-4 septembre 1982. Video Professional. Modena : Mucchi d. 1984, XVI, 1013 p. en 2 tomes.

ROY, Emile, La versification et le style de Hugues Capet , de Baudoin de Sebourc et du Bastart de Bouillon (Rimes, métrique, flexion, syntaxe, vocabulaire et style), dans A la Mémoire d'Emile Roy , Publications de l'Université de Dijon, II, Dijon : Bellais et alii ; Paris : Picard, 1929, pp. 1-19. SUARD, Franois, Hugues Capet dans la chanson de geste au XIVe sicle, Colloque International sur Hugues Capet, 987-1987. Letterheadweight. II Religion et culture autour de l'an mil , Paris, 1990, p. 215-226. SUBRENAT, Jean, Richier mule de Rainouart. Ramky &conformation. Le burlesque dans la chanson de Hugues Capet Actes du Colloque de Strasbourg (septembre 1993) , Annales littraires de l'Universit de Besanon n° 558, 1995. Le roman de Hugues Capet au XIVe sicle , traduit par Franois SUARD et Jean SUBRENAT, Troesnes, 1987.

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1119-1130. COURAYE du PARC, J., Recherches sur la chanson de Jehan de Lanson , Mlanges Julien Havet , Paris, 1895, pp. 325-354. DUGGAN, J. Letterheadweight. J., The thief Basin and Papers Guide the legend of Letterheadweight Charlemagne, Actes du VIIIe Congrs International de la Socit Rencesvals, Pamplona, 1981, pp. 107-115. GAUTIER, Lon, Les popes franaises. Fax Cover Sheet - Neptun. Etudes sur les origines et l’histoire de la littrature nationale , Paris, Victor Palm, t. Letterheadweight. III, 1880, pp. 257-270. LEJEUNE, Rita, La localisation en Provence de la chanson de geste de Jehan de Lanson , Premier Congrs des membres associs du Flibrige , Toulon, 1958, pp.

17-22. NYROP, C., Storia dell'epopea , Firenze, 1886, pp. Sheet Microsoft Word. 110-112. PARIS, Gaston, Histoire potique de Charlemagne , Paris, 1905, pp. 321-322. PARIS, Gaston, Compte-rendu de l'art. cit de J. Training. Couraye du Parc, Romania , XXIV, 1895, pp. Progress Notes Template - Google. 317-318. PARIS, Paulin, analyse de l'oeuvre dans Histoire Littraire de la France (HLF), t. Training. XXI, pp.

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BALDINGER, Kurt, Zeitschrift für romanische Philologie , LXXXV, 1969, p. 640. COOK, Robert Francis, French Review , XLIV, 1971, pp. Template Search. 627-628. Training. DELBOUILLE, Maurice, « Apollonius de Tyr et les débuts du roman français », Mélanges offerts à Rita Lejeune , Gembloux, II, 1969, pp. 1171-1204. Microsoft Word. DEMBOWSKI, Peter F., « La prétendue geste de Blaye », Actas del XI Congreso Internacional de Linguistica y Filologia Romanicas , Madrid, 1968, pp. Letterheadweight Training. 841 à 851. Compensation Plan Word, Pdf Documents | Creative. DEMBOWSKI, Peter F., « Autour de Jourdain de Blaye , aspects structuraux et problèmes connexes », Neophilologus , LI, 1967, pp. 238-45.

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LEVY, Raphael, Chronologie approximative de la littérature française du Moyen Age , Tübingen, 1957, p. Training. 57. MENARD, Philippe, Romance Philology , XXVIII, 1975, pp. Consulting Service. 396-398. MODERSOHN, Hermann, Die Realien in Letterheadweight den altfranz. Psychotherapy Notes | Progress. chanson de geste Amis et Amile und Jourdain de Blaivies ; diss. Letterheadweight Training. Mnster, Lingen, 1886. RASMUSSEN, Bertie H., « L'origine des chansons de geste Ami et Amile et Jourdain de Blaye », Actes du Quatrième Congrès des Romanistes Scandinaves , Copenhague, 1967, pp. 232-39. RASMUSSEN, Bertie H., « Le Cycle de Blaye et l'histoire », dans Société Rencesvals, IVe Congrès International , Heidelberg, 1969, pp. Microsoft Word - Neptun. 82-89. Letterheadweight. ROSS, David J. A., Modern Language Review , LXV, 1970, p. 623. CASTELDO, W., Die Prosafassung der Bataille Loquifer und des Moniage Renouard ; diss.

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LEON, A., Une pastorale basque , Paris, 1908. ROUSSEL, Claude, Berthe, Florence, Hlne : trois variations Epiques sur le thme de l’Epouse perscute dans L’pope tardive , Centre des sciences et de la littrature, Littrales 22 , Universit Paris X, Nanterre, 1998, pp. 39-60. Research Method: A Brief Guide. ROUSSEL, Claude, Conter de geste au XIVe siècle. Letterheadweight. Inspiration folklorique et écriture épique dans La Belle Hélène de Constantinople, Genève, Droz, 1998. ROY, mile, Philippe le Bel et la lgende des trois fleurs de lis, dans Mlanges Thomas , 1927, pp. 383-388. RUTHS, R., Die Franzsiche Fassungen des Roman de la Belle Helaine ; diss. Consulting Agreement | Create Professional. Greifswald, 1897.

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WATHELET-WILLEM, Jeanne, Le roi et la reine dans La Chanson de Guillaume et dans Aliscans . Letterheadweight Training. Analyse de la scne de Laon, dans Mlange Jeanne Lods , I, Paris, 1978. CHABANEAU, C., Revue des langues romanes , t. IX, 1876, pp. Writing Papers And Citations. 192-208, 352-353. GUIBAL, G., Le pome de la croisade contre les Albigeois ou l'pope nationale de la France du sud au XIII e sicle , Toulouse, 1863. KRAACK, L., Ueber die Entstehung und die Dichter der Chanson de la croisade contre les Albigeois , Marburg, 1884, in-8°, Inaugural-dissertation, fasc.

15 des Ausgaben und Abhandlungen , publi par E. Stengel. LUCHAIRE, Achille, Innocent III, La croisade des Albigeois , Paris, 1905. MALINOWSKI, J., Dormunda, dame quercynoise, pote du XIII e sicle, dans le Bulletin de la Socit des tudes du Lot , t. Letterheadweight Training. VI, 1880, pp. Service Agreement. 5-19. MEYER, Paul, Recherches sur les auteurs de la Chanson de la croisade Albigeoise , Bibliothque de l'cole des chartres, 6me srie, t. Letterheadweight Training. I, 1865, pp. Appointment &conformation. 401-422.

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RUGGIERI, Ruggero M., Il titolo e la protasi dell' Entre d'Espagne e dei Fatti di Spagna in rapporto alla materia della Chanson de Roland , dans Mlanges Maurice Delbouille , II, 1964, pp. 615-633. Training. SEGRE, Cesare, La chanson de Roland. Edizione critica (Documenti di Filologia 16), Milano, Napoli, 1971. SUBRENAT, Jean, E Oliver est proz, tudes offertes Jules Horrent , Lige, 1980, pp.

461-467. Agreement Contract. WALPOLE, R. Letterheadweight. N., Two Comments on Consulting Agreement Contract Recent Studies of the Chanson de Roland , Romance Philology , 1952, 6, pp. 34-44. BOWMAN, R. K., The connections of the Letterheadweight Geste des Loherains with other French Epics and Mediaeval Genres , Thse de Columbia University, New-York, 1940. FEIST, Alfred, Die Geste des Loherains in Research / Term Papers And Citations der Prosabearbeitung der Arsenal-Handschrift (Ausg.

Abh, XX), 1884. Pour clairer La geste Francor : Le manuscrit de Venise (Bibliothque Saint-MArc, fr. XIII) contient un ensemble de textes piques, Bovo d'Antona , Berta de li gran pi , Bovo d'Antona II , Karleto , Berta e Milon , Enfances Ogier , Rolandin , Chevalerie Ogier et Macaire , crits ou remanis pour former un rcit continu de la lutte du lignage de Mayence contre les Reali di Francia. Letterheadweight. Le manuscrit date de la premire moiti du XIV e sicle ; bien que son modle puisse tre notablement antrieur, ce recueil reflte l'tat de l'pope franaise en Italie au dbut du XIV e sicle. KRAUSS, Henning, Epica feudale e pubblico borghese. Consulting Contract Professional. Per la storia poetica di Carlomagno in Italia , a cura di A. Fass, Padova, 1980.

La Geste Francor di Venezia ( Codice Marciano XIII della serie francese ). Fac simile in Letterheadweight fototipia con un Proemio di Pio Rajna, Milano, Roma, 1925. La Geste Francor di Venezia. Consulting Agreement. Edizione integrale del Codice XIII del Fondo francese della Marciana . Introduzione, note, glossario, indice dei nomi a cura di Aldo ROSELLINI, Brescia, La scuola, 1986 ( Pubblicazioni del Centro di Linguistica dell'Universit cattolica, Saggi e monografie , 6). BERTOLINI, Virginio, « Castrinas, duca di Verona, nel poema di Niccol da Casola », dans Atti e Memorie dela Accademia di Agricoltura, Scienze e Lettere di Verona , serie VI, t. Letterheadweight. 27 (152), 1975-1976, pp. Sheet Word. 81-90. PEISKER, Rose-Marie, Materialien zur Beschreibung der Sprache der franko-venezischen Epos La Guerra d'Attila , Gttingen, 1973. ANDRIEUX-REIX, Nelly, Une ville devenue dsir : la Prise d'Orange et la transformation du motif printanier, dans Mlanges Alice Planche , Paris, 1984, t. I, pp. 21-32.

HEINEMANN, E. Training. A., Sur l'art de la laisse dans Le Couronnement de Louis dans Charlemagne et l'pope romane , Actes du VIIe Congrs International de la Socit Rencesvals , Paris, Belles Lettres , 1978, p. &conformation Letter. 383-391. FRAPPIER, Jean, Les chansons de geste du Cycle de Guillaume d'Orange , 2 tomes, Paris, S.E.D.E.S, 1955-1965. Letterheadweight Training. GUIDOT, Bernard, Recherches sur la chanson de geste au XIII e sicle d’aprs certaines њuvres du cycle de guillaume d’Orange , Aix-en-Provence, Marseille, Publications de l’Universit de Provence, 1986, 2 vol. SUARD, Franois, Le motif du dguisement dans quelques chansons du cycle de Guillaume d'Orange , Olifant , 7, 1980. COOK, Robert F., et CRIST, Larry S., Le Deuxime cycle de la croisade. Progress Notes Template - Google Search. deux tudes sur son dveloppement. Training. Les textes en vers.

Saladin , Genve, 1972 (Publications romanes et franaises, 120). DUPARC-QUIOC, Suzanne, Le cycle de la croisade , Paris, Champion, 1955. DUPARC-QUIOC, Suzanne, « Les pomes du 2e cycle de la croisade : problmes de composition et de chronologie », dans RHT , t. Sample Contract Template | Create Professional. 9, 1979, pp. Training. 141-181. AUDOIN, Philippe, Bourges, cité première : essai d'iconologie mytho-hermétique , Paris, Julliard, 1972. JENNY, Jean, « Note bibliographique sur Lion de Bourges », dans Cahiers d'Archologie et d'histoire du Berry , t. Sample Video Production Contract Template. 33, 1973, pp. Letterheadweight. 74-76. KIBLER, William W., « The Fake-Pilgrim in Template Word, Lion de Bourges », dans RN , t. Letterheadweight. 11, 1969-1970, pp.

407-413. KIBLER, William W., « Les derniers avatars du personnage de Charlemagne dans l'pope franaise », dans Charlemagne et l'pope romane , 1978, pp. 281-290. KRICKMEYER, R, Weitere Studien zur Chanson de Lion de Bourges , Teil I, Greifswald, 1905. PICHERIT, Jean-Louis, « Le merveilleux chrtien et le motif du mort reconnaissant dans la chanson de Lion de Bourges », dans Annuale mediaevale , t. Psychotherapy - Google Search. 16, 1974, pp.

41-52. PICHERIT, Jean-Louis et KIBLER William W., « Lion de Bourges », dans Olifant , t. Letterheadweight. 2, 1974-1975, pp. Professional. 5-13, 129-138, 183-197, 246-259. PICHERIT, Jean-Louis, « Une partie d'checs dans la chanson de Lion de Bourges », dans RN , t. 16, 1974-1975, pp. Training. 692-694. PICHERIT, Jean-Louis, « proverbial Material in Sample Video Production Lion de Bourges », dans Olifant , t. 4, 1976-1977, pp. 244-258. PICHERIT, Jean-Louis, « Ralit et fiction gographique dans Lion de Bourges », dans Travel, Quest, and Pilgrimage as a Literary Theme : Studies in Honor of Letterheadweight Reino Virtanen , ed. Progress Notes Search | Progress. Frans C. Letterheadweight. Amelinckx and Joyce N. Megay, Ann Arbor, 1978, pp. Microsoft. 61-76.

WILHELMI, H., Studien ber die Chanson de Lion de Bourges , Marbourg, 1894. BECKMANN, Gustav A., Maugis d'Aigremont . Zur Genesis einer literarischen Gestalt, dans ZRP , t. Training. 89, 1973, pp. 148-166. VERNAY, Philippe, Vers une dition critique de Maugis d'Aigremont , dans CN , t. 34, 1974, pp. Sample Production Template | Create Professional. 15-71.

VERELST, Philippe, L'enchanteur d'pope : prolgomnes une tude sur Maugis , dans Romanica Gandansia , t. Letterheadweight. 16, 1976, pp. Research / Term Papers A Brief Guide. 119-162. RUNEBERG, J., tudes sur la geste Rainoart , diss. Helsingfors, 1905. EMPLAINCOURT, Edmond A, « Le Chevalier au Cygne et Godefroi de Bouillon : Note sur le Ms. Training. 744 de Lyon (Biblio. Municipale) », dans Rom ., t. 95, 1974, pp. 562-565. EMPLAINCOURT, Edmond A, « Le CCGB de Lyon (Ms. Psychotherapy Notes - Google Search | Progress. 744, Bibliothque Municipale) : Note sur trois allusions Baudoin de Sebourc », dans Olifant , t. 4, 1976-1977, pp.

78-83. Letterheadweight Training. KRÜGER, August Georg, « Les manuscrits de la Chanson du Chevalier au Cygne et Godefroi de Bouillon » , dans Rom ., XXVIII, 1899, pp. Ramky Appointment Letter. 421-426. LODS, Jeanne, L'utilisation des thèmes mythiques dans trois versions écrites de la légende des Enfants-Cygnes, dans Mélanges offerts à René Crozet , Poitiers, Société d'Etudes Médiévales , 1966, pp. Letterheadweight. 809-820.

LODS, Jeanne, L'Art de la composition dans les différentes versions du Chevalier au Cygne, dans Société Rencesvals, IVe Congrès International : Actes et mémoires , Studia Romanica, 14, Heidelberg, Winter, 1969, pp. Progress Notes Template - Google Search | Progress. 245-253. GOOSSE, Andr, Ogier le Danois , chanson de geste de Jean d'Outremeuse, dans Romania , t. 86, 1965, pp. 145-198. MARTIN, Jean-Pierre, Orson de Beauvais et l'écriture épique à la fin du XIIe siècle. Letterheadweight. Trasitions et innovations , Paris, Champion, 2005. AEBISCHER, Paul, Etudes sur Otinel. Ramky &conformation Letter. ( De la chanson de geste la saga norroise et aux origines de la lgende ), Berne, Francke, 1960. LE GENTIL, Pierre, Rflexions sur la Chanson d' Otinel , dans Cultura Neolatina , 321, 1961, pp. Letterheadweight Training. 66-70.

BECKER, P. A., Parise la duchesse , Zeitschrift fr franzsiche Sprache und Literatur, 1942, Band 64, Heft 6.7, pp. Fax Cover Word - Neptun. 436-440. DI NINNI, Franca, « Il discorso diretto nelle opere di Niccol da Verona », dans Atti dell'Istituto Veneto di Scienze, Lettere ed Arti ( Classe di Scienze Morali, Lettere ed Arti ), t. 133, 1974-1975, pp. 263-294. DI NINNI, Franca, « L'episodio di Guron de Bretagne nella Prise de Pampelune », dans CN , t. Training. 40, 1980, pp.

183-192. RUNEBERG, J., Etudes sur la geste Rainouart ( Thse Universit d'Helsingfors), Helsingfors, 1905. AZZAM, Wagih, La geste interminable. Raoul de Cambrai : fins et suites , dans PRIS-MA. Recherches sur la littrature d’imagination au Moyen ge , Universit de Poitiers, 15, 1999. BAUMGARTNER Emmanule, et HARF-LANCNER Laurence, Raoul de Cambrai : l’impossible rvolte , Paris, Unichamp , Champion, 1999.

BAUMGARTNER, Emmanule, Quelques remarques sur l’espace et le temps dans Raoul de Cambrai , dans La chanson de geste et le mythe carolingien. Mlanges Ren Louis , Saint-Pre-sous-Vzelay, Muse archologique national, t. Fax Cover Sheet Microsoft Word. 2, 1982. BEDIER, Joseph, Les lgendes piques. Training. Recherches sur la formation des chansons de gestes , Paris, Champion, t. II, 1917, p. Writing Method: A Brief Guide. 338-463. BEZZOLA, Reto R., De Roland Raoul de Cambrai , Mlanges de philologie romane et de littrature mdivale offerts E. Hoepffner , Paris, Publ. Training. De la facult des lettres de l’univ. de Strasbourg, 1949. BOUTET, Dominique, Raoul de Cambrai entre l’pique et le romanesque , Actes du colloque de l’Universit Paris X, 20 novembre 1999, Littrales n°25, Paris, 2000. CALIN, William C., Raoul de Cambrai : un univers en dcomposition , dans Actes du VI e Congrs International de la Socit Rencesvals , Aix-en-Provence, Publications du CUER MA, 1974.

CALIN, William C., The Old french Epic of Revolt : Raoul de Cambrai, Renaud de Montauban, Gormond et Isembard , Genève, Droz, 1962. COMBARIEU du GRES, Micheline de, Guerri li Sors : les enjeux du personnage dans Raoul de Cambrai entre l’pique et le romanesque , dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999. EISNER, Robert, Raoul de Cambrai ou la tragdie du dsordre , dans The French Review , 45, Special Issue, n° 8, 1971. GUIDOT, Bernard, Spiritualit et violence dans Raoul de Cambrai dans Raoul de Cambrai, ouvrage dirig par Jean-Claude VALLECALLE et alii, Paris, Ellipses, 1999. JODOGNE, Omer, L'originalité de Raoul de Cambrai , dans La technique littéraire des chansons de geste , Bibliothèque de la Faculté de Philosophie et Lettres de l'Université de Liège, CL, Paris, Belles Lettres , 1959, pp. Fax Cover Sheet Microsoft. 37-58. KAY, Sarah, La composition de Raoul de Cambrai dans la Revue belge de philologie et d’histoire , 62, 1984. LABBE, Alain, La croix, l’pe et la flamme : autour de l’incendie d’Origny dans Raoul de Cambrai , dans Feu et lumire au Moyen Age, Travaux du groupe de recherches Lectures mdivales de l’Universit de Toulouse II, Toulouse, Editions Universitaires du Sud, 1998.

LABBE, Alain, Dfi et blasphme dans l’pisode d’Origny de Raoul de Cambrai : impit ou dsir de Dieu ? dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999. LABBE, Alain, Raoul et la voix des mres dans Raoul de Cambrai entre l’pique et le romanesque , Actes du colloque de l’Universit Paris X, 20 novembre 1999, Littrales n° 25 , Paris, 1999. LABBE, Alain, La vue du sang, vecteur de l’identit et de l’altrit dans Raoul de Cambrai dans la Revue des Langues Romanes, tudes romanes ddies la mmoire de Jacques BOISGONTIER , tome CIII, n° 2, 1999. LABBE, Alain, De quelques cњurs arrachs : horreur et violence dans la geste de la rvolte dans L’Horreur au Moyen Age , Travaux du groupe de recherches ‘‘Lectures mdivales’’, Universit de Toulouse II, Toulouse, ditions Universitaires du Sud, Diffusion Honor Champion, 1999. LE PERSON, Marc, La querelle de Raoul et de Bernier et ses consquences, Etude littraire des laisses 75-91 dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle et alii, Paris, Ellipses, 1999. LEGROS, Huguette, Au nom du pre…et du fils… dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999. LEGROS, Huguette, Raoul de Cambrai et Dom Juan : Hros lucifrien ou personnage cartel entre deux ordres moraux , dans La Chanson de geste et le mythe carolingien. Mlanges Ren Louis , Saint-Pre-sous-Vzelay, Muse archologique national, t. 2, 1982. MARTIN, Jean-Pierre, L’imaginaire de la temporalit dans Raoul de Cambrai dans Raoul de Cambrai entre l’pique et le romanesque, Actes du colloque de l’Universit Paris X, 20 novembre 1999, Littrales n° 25 , Paris, 2000.

MATARASSO, Pauline, Recherches historiques et littraires sur Raoul de Cambrai , Paris, Nizet, 1962. NAUDET, Valrie, En tous lius vos en serai nuissans, tude de l’espace dans Raoul de Cambrai , dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999. NAUDET, Valrie, Bernier en panime . Letterheadweight. Quelques rflexions sur les pisodes sarrasins de Raoul de Cambrai , dans Guerres, voyages et qutes au Moyen Age, Mlanges offerts J.-C. Faucon , Paris, Champion, 2000, pp. Consulting Agreement Contract | Create. 289-311. PAYEN, Jean-Charles, Le motif du repentir dans la littrature franaise mdivale ( des origines 1230 ), Genve, Droz, 1968, (Publications romanes et franaises). SUARD Franois, Le romanesque dans Raoul de Cambrai , dans Raoul de Cambrai entre l’pique et le romanesque, Actes du colloque de l’Universit Paris X, 20 novembre 1999, Littrales n° 25 , Paris, 2000. SUBRENAT, Jean, Raoul de Cambrai et son public au sicle de Philippe II Auguste dans Raoul de Cambrai, ouvrage dirig par Jean-Claude Vallecalle, Paris, Ellipses, 1999. VALLECALLE, Jean-Claude, Avant-propos : Raoul de Cambrai , ou la dsillusion dans Raoul de Cambrai , ouvrage dirig par Jean-Claude Vallecalle et alii, Paris, Ellipses, 1999. Pour clairer Renaut de Montauban : CALIN, William C., The Old french Epic of Revolt : Raoul de Cambrai, Renaud de Montauban, Gormond et Isembard , Genève, Droz, 1962.

LABBE, Alain, Images de la mre et substituts maternels dans Renaut de Montauban , dans Bien dire et bien aprandre , XVI, 1998, pp.171-189. THOMAS Jacques, VERELST Philippe et PIRON Maurice, tudes sur Renaut de Montauban, dans Romanica Gandensia , 1981. CRIST, Larry S., « The french Prose Saladin , the Training Wheel of Fortune and the Cyclic Principle », dans Studies on / Term Papers And Citations Method: A Brief Guide the seven Sages of Training Rome and Sheet Word other essays in Medieval literature , Honolulu, 1978, pp. 212-218. MICHA, Alexandre, Le sige de Barbastre , structure et technique dans Travaux de linguistique et de littrature , VI, 2, 1968, pp. 37-52. NICHOLS, St., L'intervention de l'auteur dans le Sige de Barbastre , Boletin de la Real Academia de Buenas Letras de Barcelona , XXXI, 1965-66, pp. Letterheadweight. 243-250. BOOGARD, N. Ramky Appointment Letter. Van den, Le caractre oral de la chanson de geste tardive, Langue et littrature franaises du Moyen Age , Assen, 1978, pp. Training. 25-38. MEYER, Paul, Notice sur le roman de Tristan de Nanteuil , dans Jahrbuch fr romanische und englische Literatur , 1868, 9, pp.1-42 et 353-398.

PARIS, Gaston et BOS Alphonse, Vie de Saint-Gilles , Paris, Didot, 1881, Socit des Anciens Textes Franais , pp. 98-110. PARIS, Paulin, Histoire Littraire de la France , Paris, Didot, 1853, t. Ramky Appointment &conformation Letter. XXVI, pp. Letterheadweight. 229-269. SINCLAIR, K. Ramky Appointment Letter. V., The Cyclic Relationships of Letterheadweight Training Tristan de Nanteuil , Journal of the Australian Universities Language and Compensation Plan Word, | Creative Literature Association , 1964, 2, pp.

27-38. SINCLAIR, K. Training. V., The Geographical Elements in Plan - Free Word, Tristan de Nanteuil , Neophilologus , XLVI, 1962, 46, pp. 255-263. BOSSUAT, Robert, Thsus de Cologne , Le Moyen Age , LXV, 1959, p. 97-133, 291-320, 539-77. BOSSUAT, Robert, « Le roi Dagobert, hros de romans du Moyen Age », dans Acadmie des Inscriptions et Belles-Lettres.

Comptes rendus des sances de l'anne 1964, pp. 361-367. THEIS, Laurent, « Dagobert, Saint-Denis et la royaut franaise au Moyen Age », dans Le mtier d'historien au Moyen Age, tudes sur l'historiographie mdivale , Paris, 1977, pp. 19-30. CASTETS, Ferdinand, Vivien de Monbranc, revue des langues romanes , 30 (1886), pp.


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When You Don’t Know What to Write, Write About Your Insecurities. I love writing these posts for Letterheadweight Training, The Write Practice, and normally, when I sit down to write them, ideas come instantly and Appointment &conformation unbidden. Today was not one of those days. Today I had no idea what to Letterheadweight Training write. When I get into these situations, there’s a secret trick I use that has a 100 percent success rate. This trick isn’t easy, and it’s very uncomfortable, but when you’re desperate to Research / Term Papers Method: A Brief write but can’t, it always works. It’s not going on Facebook to watch puppy videos or read all the self-congratulating posts (trust me, I’ve tried that). It’s not going on Twitter to Letterheadweight be distracted by the endless stream of articles and Agreement Contract | Create promotions. It’s something much darker. Ready for Training, the secret? “The only Agreement Contract | Create Professional, requirement,” to be a writer, said Stephen King, “is the Letterheadweight ability to Writing A Brief Guide remember every scar.”

The secret is to write about your insecurities, your fears, what you’re embarrassed about, the Letterheadweight things you wouldn’t tell your mother. When you’re stuck, when your characters aren’t behaving, when the story isn’t flowing, write about what you’re afraid of. Put your secrets into your character’s mouths. Put your greatest fears into Compensation Plan Template Word, the story. I love this quote from Batman Begins: Why bats, Master Wayne?

Bats frighten me. It’s time my enemies shared my dread. To write with passion and energy, don’t bury your fears. Letterheadweight! Use them. (Share that on Twitter?) “When you run out of ideas,” I tell our contributors, “write about running out of ideas. When you have writer’s block, write about what it’s like to be blocked.” Because here’s the truth: There are millions of Video Production Contract | Create, stories happening around you. As of this moment, 64,341 people have died today, 12,543 of Letterheadweight, those from starvation, a little less than 1,000 from Appointment, suicide. Can you imagine all of the stories you could be telling?

Lack of stories isn’t the problem. We get blocked when we start to reject our own story, when we subconsciously say, “You don’t have anything interesting to say. Letterheadweight Training! You’re not a very good writer. You’ll never make it.” What happens when you write about your insecurities is that you’re telling your subconscious, “You know, you’re probably right.

I am worried I don’t have anything interesting to say. But I’m going to write anyway.” Free yourself from perfectionism and just admit you aren’t a great writer. That’s fine. Ramky Appointment &conformation Letter! All of us feel like that sometimes, even the best of us. Letterheadweight Training! After you admit you’re insecure, use your insecurities as material, as fuel to drive your writing further. I’m afraid I won’t get all my writing projects done. I’m afraid when I write my story, no one will want to read it. I’m afraid I’ll never make it as a writer.

I’m afraid I’ll be stuck writing non-fiction, commercial writing all my life and Psychotherapy Notes - Google Search | Progress never write any fiction I’m proud of. I’m afraid I won’t be taken seriously by the literary establishment. I’m afraid readers will be bored. I’m afraid that after giving all this writing advice, people are going to think I’m a poser and a hack. Today, I won’t let my insecurities stop me from writing. Today, I will write humbly, vulnerably, realizing my readers are struggling with the same fears. Today, I reject rejection. Today, I make peace with myself, proclaiming, “My whole story is valuable, even the worst parts.” What about you? What are your insecurities?

First, create a list of your darkest insecurities. Letterheadweight Training! You don’t have to share these, but write them down and Research / Term And Citations Method: A Brief put them somewhere safe. Then, write about a character struggling with those same insecurities. Your character might not be anything like you—the opposite gender, a different age, a thicker beard—but give them similar fears and see how they deal with them. Write for fifteen minutes. When you’re finished post your practice in the comments section. And if you post, be sure to leave a few pieces of feedback on the practices of other writers. Today, may you embrace your story and write with joy! Too true… I have come to believe that our failures are far more compelling than our successes. When a friend returns from a journey, we don’t want to Training know what went right, but what went wrong. There’s a story!

I think we get a vicarious thrill from inching close to Notes the edge of the abyss. There’s truth down there. We pretty much know that we delude ourselves with our (exaggerated) successes. The “stuck” situation you describe today, Joe, strikes us as all too human. Training! And to Word that I say, Cheers. Ha!

Great point, PJ. Training! I love hearing all those miserable stories from my friends’ travels. Hi, PJ! Good to Fax Cover Sheet Microsoft - Neptun see your writing here, and I agree with all you express. I read Joe’s article yesterday, but was not able to write anything at that time. But I kept working with it mentally, wrote out some of my insecurities for my eyes only, and then was able to write a piece, which I just now posted. This exercise *works*. Greetings and best wishes from down south! I truly like your style of writing and sincerely hope you make it as the writer you want to be. But one thing I know Joe, whether your writerly dreams are fulfilled or not, you’re a decent guy, you care about people, you value what’s good. In the end I think that’s what really matters, that you’ve used the best of who you are for the good of this old world, and Letterheadweight I think you will.

If that’s through writing so much the better. Aw thanks Beck. #128578; I think you’re great, too. My biggest insecurity is not about writing. Sheet Microsoft Word - Neptun! How will I cope. if I have to live alone? Young people don’t think about this, but at my age. this is Letterheadweight Training, a definite possibility. I hope that my writing will help; I’m sure it. will, but that will probably not come easily at first. Insecurities about writing: no one will buy what I write.

After years of writing with no financial breakthrough, it would be pleasant to. say, “Yes, my book is selling.” Patience and more patience. Time will. I identify with the biggest insecurity you write of, because I share it. Yes, patience and more patience. I wish you all success. “Never, never, never, never, NEVER give up.”

I think my years will run out before my patience. That being so, you are one lucky person. Patience is a thing I have to keep schooling myself in. I get that. Those are some of my fears, too. Great example of vulnerability and courage there at the end – well done! My biggest insecurity may be that when I express myself through writing and pour bits of Consulting Service Agreement Contract | Create, myself into my character, there is the big chance that people will reject my characters. Letterheadweight Training! That almost feels like someone rejects me also. Aww! For the record you’ve already made it as a writer, of course people will want to Template | Progress read your story because you’re willing to be vulnerable, we’re ALL doing something to Letterheadweight Training pay the bills (yours is the nonfiction piece–at least you’re still honing your skills) and personally, I’m highly skeptical of the literary establishment so let’s just cross that one off the list! Yeah, down with the literary “man”!

Thanks Monica. I can’t wait to see what happens with your writing in the next year or two. Intellect. Yes, I’ve got that. Service Agreement Contract | Create Professional! More than enough of Letterheadweight, it. And ever since I first knew I had more of it than most of the kids my age, more than my sisters and more than Mom and Dad, I’ve lived by intellect. That’s the problem. What happens when intellect is all you have?

You find out it isn’t enough. John had maybe half my brains. That didn’t matter, because he had three times my energy. A Brief Guide! That’s why he owns his carpet business today, and why his house is Training, three times the size of mine. Compensation Plan Template - Free Word, | Creative! Funny how he still treats me with all the respect I’d earned when I was the second-smartest kid in school. Training! As if my brains mattered more than his drive. Eric was smarter than I was. I don’t think he quite figured that out, not even after he went to medical school.

I couldn’t have done that. High-school science stretched me; that was my limit. When you value smarts, you get to the place where you see right away that you’re out of your depth. Eric swam along just fine where I dogpaddled for dear life. Progress Notes Template - Google Search! Now he has a practice and a good income and I work the factory job, and he thinks it’s just the breaks, that his parents could send him to college while mine hadn’t the Training money, and that’s okay. . . . But that’s not true. No, Mom and Dad hadn’t the money to send me off to school. I didn’t push for it, either.

I didn’t think I could stay the straight-A, top-of-the-class honors student in the tussle and grind of a state college. It wasn’t the money. It was the Consulting Service Agreement | Create Professional fear. I like this a lot. Training! I can identify with the Psychotherapy Progress Template - Google narrator’s insecurities, especially with John.

You pinpoint the Training line between “smart” and “street smart” quite well there. Thanks. I hadn’t thought of it that way, so I won’t take credit; but thanks! This is Compensation Plan | Creative, really good–how paralyzing fear can be. I liked how this story shows that fear can hinder us from Training, doing what we are capable of. Nice job. Interesting character you’ve created here, Robert. I wonder where this is going?

Thank you. Amazing the grist 15 minutes of writing gives. I appreciate the prompts! Great practice! Looks like you nailed the Ramky &conformation exercise. Very down-to-earth, and Letterheadweight as Joe says, it forms an interesting character who could go just about Research Papers And Citations Method: Guide anywhere in a story! I love the thought that our whole stories are valuable — even the ickier parts. Thanks for sharing, and for the reminder to be vulnerable. Training! I know I forget how much other people crave vulnerability.

I know I do as a reader. Nicely said Joe. I’m always learning from Consulting Agreement Contract | Create, my insecurities. Those are the. best things you can do as an actor and writer or anything else in life. for that matter.

Thanks a million for Letterheadweight Training, sharing this. Good for you, Humberto. Thanks so much. Now I am insecure that I won’t be let back on this site #128577; No chance of that! You’re always welcome. Joe, thanks for this article, it’s something I needed.

I read it yesterday, but was not able to write anything at that time, the negative voices were just too loud. But today I listed some of Fax Cover Microsoft, my own insecurities for my eyes only, and then was able to write a piece which I posted just a few minutes ago. Thanks for your welcoming and tolerant and Letterheadweight Training inclusive presence. Truthfully, my biggest fear isn’t really about not being as good as other people but rather about not being as good as I want to be. I can’t satisfy myself. But when I did the 15 minute writing assignment, this is what came out: Amy had spent her whole life in the shadow of Progress - Google Search | Progress, her older sister. Training! Everything always seemed to - Neptun come so easily for Miranda.

Miranda was smart, well-liked, successful. Miranda exuded confidence and good humor. Miranda was bloody perfect. Amy hovered in the background–not as smart, not as popular, not as well-known. Training! She watched her sister’s success and was glad for Appointment, her.

She cheered at Miranda’s tennis matches and listened to Miranda’s debates. Training! And when Miranda graduated from Notes Template - Google Search | Progress, university with honors and moved on to a lucrative career as an engineer, Amy congratulated her sincerely. Miranda moved up the career ladder quickly–raises, promotions, new responsibilities. She was the Letterheadweight Training hit of every family get-together. Naturally shy, Amy gravitated toward a career that was somewhat behind-the-scenes. She worked from her home as a web designer. She was good at it, although she lacked Miranda’s go-getting ambition. She supposed if she pushed harder, she might be more successful. But she couldn’t seem to overcome her fear, so she stayed mostly at the same level.

But Amy had nurtured a secret dream since childhood. She enjoyed her work, but it was really her dream job. Professional! From the Letterheadweight time in first grade when Mrs. Hardy chose her to play the Sample Template part of the Little Red Hen during story time, Amy had loved drama. When she was acting, she didn’t have to Training be her quiet, shy self–she could be anyone. The local theater was holding auditions for its upcoming production. Amy decided to try out, to take that first tiny baby step toward making her dream a reality. Then Miranda called to let her know that she’d been chosen to play the lead. Amy felt it like a physical blow.

She’d never measure up to her older sister. I like how you chose one fear, stuck with it, and made a nice story out of it. Psychotherapy Progress Notes Template! The reader can’t help but hope that someday Amy will be able to Training find a way to make her dream come true. You root for her to show off what she can do. Very nice hook at Sheet Microsoft - Neptun, the end. It came from nowhere, and it hit harder because you gave no clue it was coming in the set-up. It was something anyone can relate to. Nice.

I like how you dealt with the fears in this. Nice job. I felt the blow Amy was dealt at the end. Your post inspired mine. Letterheadweight Training! Very relate-able topic. Great job! This is exactly the type of article I have been looking for.

I have been feeling very insecure with my writing. This was wonderful and helpful. Thanks Joe! Awesome! Thanks Eliese. #128578; It my the first day as a senior in high school and I am nervous. This is my last first day to Consulting Service Agreement make an impression and Training I want it to be a good one. I look at my reflection one last time.

My hair is thick, long and red. My makeup is Service Contract | Create, perfectly placed, and my clothes are. “You better get going or you will be late.” My Mom hollers from the Letterheadweight Training other room. “Yea I’m going mom.” I yell back. I grab my keys and get in my little green Honda. It is Letter, a good car but it has a manual transmission. Letterheadweight Training! I am not a bad driver but driving stick makes me uncomfortable. I slowly back out of the driveway, hoping I will make it to school without killing my car, or myself.

I make it safe and sound, and the day begins. Psychotherapy Notes Template - Google Search! I greet old friends and make some. new ones. Things look bright when I see that my first lesson is English. I enjoy this subject but I never feel that my work is what it should be, especially with grammar. The day moves on Training, and lunch arrives. I find a table filled with people I know. We laugh and gossip about our summers. “Are you done talking already?” Sarah, a brunette girl that I don’t like, asks. - Free Pdf Documents | Creative! “I mean do you ever shut up?” A warm blush floods my cheeks and am left speechless.The bell rings and Training the rest of afternoon is Ramky Appointment &conformation Letter, problem free.

After school I drive home and only stall my car once. “How was your day?” My Mother asks when she gets home from work. She places her keys on the counter with a clunk. I unglue my eyes away from my imperfect homework to answer her. “It was ok. There were times when I was unsure of myself, and other times I was confident. It was nice to see my fiends again and not so great to Letterheadweight see others. I just have to learn to take the bad with the &conformation good I guess.” My Mom smiles at me.

This was my more PG version when my other story wouldn’t post. Interesting. I like how the main character handled herself well at the end, but it made me wonder if the whole story was part of a bigger story about Training Mom’s insecurities. Was that an Compensation Plan Template Word, Pdf Documents | Creative, intentional twist? Maybe I’m just projecting my own insecurities there! #128578; It was kind of a twist. I liked the idea of Letterheadweight, showing the Mother’s side a bit as I have similar insecurities as both of Sample Video Contract Template, them.

Thanks for your comment #128512; “It is time for our prayer. Today, Mr. Bumfield has requested the privilege of Letterheadweight Training, giving a humanist invocation.” Groans are heard from Service Contract Professional, various sources in the room. “Mr. Blumfield.” He rose on legs that felt unsteady, and gripped the table with both hands. He looked out at the expressions ranging from Letterheadweight Training, friendly interest to boredom to flushed-face hostility, then quickly dropped his eyes to what he had written on the piece of Letter, notebook paper that lay before him. He began to read: “This is the Letterheadweight Training Good News: As long as people such as we shall live, we shall work for the freeing of the human spirit from prejudice and exclusion, and the fear out of Ramky Appointment Letter, which they grow, to our last breath.

We shall do this because we must — because we have faith in this very humanity and Letterheadweight Training wish for it to continue, not merely to perpetuate the existence of our own lives, but for Research / Term, the lives yet to come, for the future yet to be. At the end of a chaotic day of imperious voices howling after our allegiance, to doubt is to be a hero. May we know that we are not alone — ” Something hit him in the forehead and bounced off — a moistened ball of Letterheadweight Training, paper. Search! The director said loudly, “Who threw that?” Bumfield’s legs twitched with their unfailing, fearful spasticity; he gripped the edge of of the table more tightly and resumed — ” . . . in our honest doubt — ” here his voice quavered and almost gave out; he cleared his throat and continued shakily — “and in our reasoned skepticism, and as we stand on the side of humanely principled freedom of belief and freedom of conscience and freedom of action, and as we stand against the forces of fear that would deny some their humanity based on a twisting of the divine Love, many of our brothers and Letterheadweight sisters — who may not yet venture so much as to affirm it aloud — do nevertheless hear their own conscience and join and advance quietly with us.” His legs spasmed again, but he was absolutely determined to finish. Compensation Plan Template - Free Pdf Documents! He spread his feet out further. “We will never give in. We shall never surrender. But rather shall we work to hasten the Letterheadweight day wherein the Psychotherapy Notes Template - Google Search | Progress unconditional Love that is our native essence has prevailed. So may it be.” He collapsed back into his chair, hyperventilating but triumphant. John!

Do you write sermons? Or speeches? That was wonderful. I loved the detail of Bumfield spreading his legs to bolster himself against his insecurities. Thank you sir! Yes I have written speeches, but I make an Letterheadweight, extremely nervous public speaker when it comes time for delivery. I actually wrote the invocation weeks ago but haven’t asked to share it with the Appointment &conformation Letter group I attend because I imagine the Letterheadweight response would be similar to the one I envision in the piece. Good to express it in this medium. Thanks again! May I recommend Toastmasters, to overcome the public speaking jitters.

There are clubs everywhere. I’m currently the President of the Club in my town. It’s helped me tremendously in the three years since I joined. I now give talks up and down the west coast. I wish I’d joined when I was younger. Writers are always having to Consulting Service pitch ideas to producers and publishers. “Charlie, I coulda been a contender!” …well — I did Toastmasters for a while back in the ’80s, and I didn’t do very well — it was in my work setting at the time, and there was a very competitive and corporate feel to it that I wasn’t comfortable with . Letterheadweight! . . but it’s as you say, a professional writer has to pitch things.

My lack of success probably had to do more with my shortcomings. There is a physical challenge involved for me, and it’s worse when I’m nervous/anxious. But maybe I’ll try again, the clubs are ubiquitous even down here. Man thank you thank you THANK you for the line from Compensation | Creative, Waterfront. I found the whole movie on You Tube and I’m watching it now. The girl Edie shows Jerry (Brando) such Kindness. To which he is unaccustomed.

Man, that girl’s Eyes! Good for the heart this evenin’. I was intrigued how you used an almost Dickenesque mannerism of writing. From your choice of Training, name to | Create Professional your selection of words, you caught my interest. You wove your story using some grandiose words, but I didn’t feel that you copied your verbs and Letterheadweight Training adjectives into a thesaurus and picked the Writing And Citations longest results. You understood every word you entered.

My favorite word in your piece, bye the bye, is of course spasticity. All hail spindly legged men who endure expectorate-moistened wads of Letterheadweight, paper to publicly attest to their convictions. Yes, now that you mention it, Bumfield does sound very Dickensian, though that was not my thought when I chose it — it was an extension of a pejorative that gets thrown around a lot. Sometimes internalized. I love using elegant language that would hardly ever show up in Fax Cover Sheet Microsoft Word, the colloquial way of talking. It soars, surprises. It was Bumfield’s shining if terrifying hour. Spasticity. I hate that word.

But it’s the scientific medical truth. It is, perhaps, necessary to use it. Whether it will lose its sting in Letterheadweight, time is entirely unclear. Your very kind words are very welcome and appreciated, Elise! In terms of the condition, yes, spasticity is awful. But it sounds like a terrible condition that involves stiffening and jolts of Consulting Service Agreement | Create Professional, tremors. I like Bumfield all the more for pressing through it.

You are right on in your perception of the Letterheadweight condition. In more anchored moments, I rather like Mr. Bumfield myself. I have always wanted to Agreement | Create Professional be a writer, but I have never finished a story. I even have what I think is Letterheadweight, a great story idea, but I haven’t finished it. Ramky &conformation Letter! I’m not sure why, but maybe because even though I think it’s a good idea, I don’t think that other people will like it. Why don’t you write it anyway, just for Training, yourself? without even thinking about Fax Cover Sheet Word - Neptun whether anyone else might like it.

Any choice to submit for publication comes later. If you just write for Letterheadweight, yourself, at least you’re writing. That’s how I try to - Free Pdf Documents approach it, but I very much feel the same as you express, that no one else may like it. I write for myself. A selfish motive, I know. If, while writing, I am able to create something that touches others as well, all the better. I do not mean that I disregard the Letterheadweight Training thoughts of others. However, I know that I can never write something to please all of the world. I would rather write something that makes me satisfied and does not affect anyone else than write something that I am unhappy with, yet is widely received and Contract Professional acclaimed. I can’t believe it finally posted!

I had the Training same problem and ended up accidentally posting three times! Whoops! Ah well, lesson learned. Compensation Template - Free Word, Pdf Documents | Creative! I’m glad yours posted! I thought that I was blocked because it was to…evil. Letterheadweight Training! Lol. I posted about three times too but it didn’t show up at all until today.

My daughter and I surfed the web for beach houses in Jamaica. Sheet Microsoft - Neptun! Well I looked for houses to rent while she looked at all inclusive resorts. Training! We were on the phone and Jim listened as I described the house that rented for Consulting Contract Professional, $45,000 a month and had 15 staff. Private beach and swimming pool, eight bedrooms and eight baths, snorkel gear . . Training! . we joked, my daughter and me, about it being the house for a movie set or the house where the stars lived while they worked on an upcoming film. “It probably comes with a car and a driver,” my daughter said. “There is certainly a chef to prepare meals. Maybe meals are included. Sheet Microsoft Word! Maybe they’ll go out and buy pot for you.” At $45,000 per month, I thought to myself, certainly an unlimited supply of pot was included.

“You’re planning a trip?” my husband asked. We are dreaming of a trip, and I am dreaming of Letterheadweight, a beach house. Then he gave me a one-dollar bill towards my dream vacation. I wrote the date and the words “beach house” along the upper margin above Washington’s face then paper clipped it inside my journal. It’s a first dollar, an Sheet Microsoft Word, investment in one of my dreams, I thought. My husband does not know what I did with the dollar.

He only intended to poke fun, to humor my fancy. But for Letterheadweight Training, me, it was real. It is real. And my dream of a house lives somewhere in the world on the other side of my waking consciousness. It lives in my heart when my eyes are closed and I am playing on the beach with our babies or walking with my hand in Psychotherapy Notes Template | Progress, his. I cannot take him on my journeys to other places and visits with friends and family because he doesn’t believe. I worry that I will fail at proving him wrong and while needing to be right I will lose time as the dream slips beyond my grasp and I awaken to the sound of the neighbor’s lawn mower. RP, I really like this.

Dreams are precious things but don’t ever give up on Training, ’em. Even the Progress Notes Template Search | Progress ones I had to Letterheadweight let go of…I imagine another me on Sheet Microsoft, another plane of existence living them out to the fullest! Hi Susan and thanks. I agree about dreams and the question or insecurity for me is when and whether dreams can stand on Letterheadweight, their own against Sample Contract | Create Professional, criticism and Training doubt? Must we guard and protect them like seedlings and Writing Papers Method: A Brief sprouts; when are they ready to be shared and with whom? Greta. Dreams do grow. Initially, they are fragile and delicate, easily scorched by the careless comments of others or frozen by our own insecurities. As time progresses and the desire for the dream and Letterheadweight Training the will to Sample Video Contract fulfill it strengthen, the dream becomes something more easily mentioned, less susceptible to unkind touch.

A dream could be shared at any time, depending on the recipient of your wishes. Letterheadweight! There comes a time, however, when it is such a part of Production Contract Template, you that in Letterheadweight Training, order to tell others about yourself, you must also talk about the dream. At that point, if you continue to hold the dream as a secret, it will hurt you more than it will help. Thanks Elise for helping me identify a sign and Writing Research Papers A Brief marker. Letterheadweight! Whenever my dreams have surfaced both at night and in Consulting Service Agreement Contract | Create, my ordinary conversations with both acquaintances and Letterheadweight strangers, they were nearly accomplished. I have yet to experience keeping secrets beyond that point, I have either moved on to something else or seen the Sample Video Production Contract Professional objective through to completion. Dark and twisty, with a nice little surprise at Letterheadweight Training, the end! I liked it!

Thanks Lucy! I’m glad you liked it. I was worried it was to dark, so that was good to hear. Some of Consulting Service Agreement | Create Professional, my greatest fears right now are. I’m afraid that I’m not good enough. I’m afraid that I’ll just quit when it gets tough. I’m afraid that I won’t be able to make it as a writer without emotional support. I’m afraid that I’ll be left alone and lonely. Another cold morning in Portland, Washington for Mike’s early run.

He had a great pace set in spite of the coppery feel in her lungs. His timer told him that, for the third. week in a row, he had been improving; his inner voice, on the other hand, told him that he could never make it at that pace. “Never quit, don’t stop!” he grunted aloud to herself between breaths. With that Mike leaned leaned forward just a little to force himself to increase his pace some more. Mike even made his breathing more deliberate and in a specific cadence with his feet. “Never quit!” determination came charging up through his insides and up his spine.

It tingled and Letterheadweight Training felt great. At the Video Production Template | Create end of his five mile run the timer showed that he was almost 20 seconds ahead of Letterheadweight, where he was last week. Mike stood up tall, placed his hands on the back of his head and walked around until he had his breathing under control again. While it felt good to Consulting Service Contract | Create have made that kind of Letterheadweight Training, progress four weeks in a row, it was an Psychotherapy Progress Notes Template Search | Progress, empty feeling without anyone to share it with. In the cold, foggy morning, with the sun just peeking over the horizon, that sense of being alone and the feelings of loneliness hung onto Letterheadweight Training her every fiber like the exhaustion and sweat all over him. While one could be washed away the other could not and Service Agreement | Create would hang onto Mike all day. It would be there in spite of whatever victory or accomplishment that he would have that day. The hot water of the shower washed over him, the steam filled his aching lungs.

His muscles screamed, lungs felt as if they had been rubbed with sandpaper. Training! “Yer getting better, Mike,” he said it, but, again, the words rang hollow. From the outside looking in, it would seem that Mike had the best of it all. Steady work, nice apartment, supportive friends and family; it just didn’t seem right. - Free! He had left the Letterheadweight Training military and Progress Template | Progress didn’t have to Training deal with any of that crap anymore. He grabbed his keys and Ramky Appointment hat on the way to the door. Stopping, he looked back at Letterheadweight, his empty apartment. He thought about the way he usually woke up. Video Contract Template | Create! Waking up at any time of the night was always something else. Ripped sheets, smashed lamp, standing in a fighting stance, crouching in Letterheadweight Training, a dark corner with a helicopter fading into the night somewhere. &conformation! “Is this how it’s going to be for the rest of my life?” Mike picked up the garbage bag with another broken lamp and headed out to buy another one. “Maybe I’ll run into a friend or someone.” That was powerful. Great descriptions.

Thank you, Miss Anne. You invested a lot of emotion into this piece. Mike’s internal soliloquies are agonizing and real. Letterheadweight Training! No forced words here. Did you initially write this from a woman’s perspective?

Your dialogue/descriptions are definitely masculine in every way, but you have a couple of instances where you wrote her instead of his/him. I did write this originally from a woman’s perspective, but found that very difficult to see fully. Clearly, my editing skills are, well, you see. Thank you so very much for your kind review that really is encouraging. No worries:) You would have laughed at some of my dialogues. My sister pointed out to me that the tough tattooed guy whose perspective I was trying to wrap my head around probably wouldn’t notice how his girlfriend’s hair shone dark and beautiful like an antique walnut sideboard. Oops.

I did a bit of research online for Sample Template, how to write in Training, a male’s perspective. It was quite helpful. I came across an article (I can’t remember where) in which the author described the Psychotherapy Notes Template - Google Search differences between how a man and Letterheadweight a woman saw the contents of the trunk of a car. Guy: There was a bunch of Writing Research A Brief, old fabric, a monkey wrench, 25 drill bits, and a model of a car (specifics of Letterheadweight Training, year, make, and model given). Girl: There was a lovely dark red damask cloth, delicately hand-croqueted lace, some tools, and a model car. The comparison made me laugh while reminding me that our brains are wired a bit differently. Haha. I really liked this, especially the end. I could see what the insecurities are even though you didn’t directly tell the reader.

Thanks for going first #128578; I see now the double. I read guest one and didn’t realize it was yours but I really liked it. (I guess one of my biggest fears is Ramky Appointment Letter, also aloneness.) It didn’t work tonight. One after another Lisa went to the places still open. She wanted to Letterheadweight Training shake the hand of Sample Production Professional, whoever thought of 24-hour stores. No longer would she have to wrestle with feeling so alone. Except it didn’t work.

She might be in the presence of others who needed toilet paper, who were just getting off work. Training! Or of course those who had to wait on those people, but alone isn’t the same as lonely. You could be lonely in Production Template | Create, a crowd and Lisa was. It had only Letterheadweight, been a short time ago that she lost this loved one, but she never got a chance to rebound from Compensation Plan Word, | Creative, one loss when another would rear its ugly head. She hated death. Letterheadweight Training! Hated it with her whole being. Professional! The weird thing is her living world was getting smaller. Letterheadweight Training! People she knew somehow took steps back. They got tired of the Ramky &conformation negative.

Lisa wiped away a runaway tear. The thing is, she totally understood. She was tired of all of it too. But that didn’t stop it. And when friends backed away it released that loss button. Oh if she could only disengage it somehow.

Then maybe she could live her life like those around her. It’s funny. Even losing things seemed to set off that button. The other day she lost a bracelet she loved. She looked everywhere but couldn’t locate it. And the tears she cried seemed about Letterheadweight Training equal to the ones that fell when Steve died.

She looked around at other people and wondered if they also had lost so many loved ones. Lisa watched as a mother and daughter walked by Consulting Service Agreement Contract | Create, her house. Feelings of Training, loss washed over Papers Method: her again. It wasn’t going to get easier with each new wrinkle that formed. Letterheadweight! It would be more of the same. Loss after loss.

Lisa tied on her babooshka. Ramky Appointment &conformation! There was a little nip in Letterheadweight Training, the air, or maybe it was inside of her. Either way, she didn’t want to get sick. There would be no one to bring her soup. I get it.

Nicely done. Thanks for reading. Even though you do share a lot of backstory in this, because you use lots of short, powerful sentences, it doesn’t seem overwhelming. I especially liked the last sentence. &conformation Letter! Perhaps you should try putting it first, if possible?

It is attention grabbing. Either way. And I love the reference to the babooshka. Training! Again, maybe put that at the beginning? It is Progress - Google Search, unusual, so it plays with the Letterheadweight Training reader’s curiosity. Great job:) Thanks for reading and for Template - Free Word,, your suggestion. I enjoyed that exercise. I think my biggest insecurity is Letterheadweight, failure. I’m just getting started in writing and decided to start getting involved in some of these writing exercises. Here’s my first attempt at a 15 minute writing assignment:

Sarah stared down at Psychotherapy Notes Search, yet another job application on her computer. She had been applying to Training different jobs for the past six months and hadn’t had an Ramky, interview in probably half that long. Sighing again, she stared up at the ceiling as if asking God for help. Like that was going to work. She had been asking him for help for Letterheadweight Training, the past year. after she lost her job at Production Contract Professional, the ad agency and Training had to Template Word, Pdf Documents | Creative start again in this terrible. economy. Since then, she had been sending her resume in for each and every. position that sounded remotely like she could fit the requirements.

Every one. of those so called job hunting experts recommended reaching out to her connections. and making new ones to help get interviews. However, she couldn’t stomach the. process. The small talk about people’s personal lives and pretending to be. interested in anything other than a potential job. Ugh, the whole process made. her heart start racing and her palms start sweating. Not to Letterheadweight mention the doubt of Production Template | Create Professional, does my current network actually like me and think I do a good job?

What if I reach out to them and they turn me down? What if…what if…what if? These doubts had been plaguing her ever since she was old enough to apply to jobs. Her first one had been easy to Training get since one of her professors at school had recommended her for the job. Now, though, she hadn’t spoken to any of her professors in years. She tried to talk to her mom about how to go about picking up her old connections, or how to interview, or how to get a job but her mom always turned every conversation back around to her problems or about her sister’s success. Psychotherapy Progress Notes Template Search! She never had any problem just applying for jobs and interviews. Heck, head hunters even contact her directly and ask her to apply.

Sarah wished it was that easy for her. Maybe. she should suck up her pride and just ask her sister for help. Letterheadweight! Tomorrow maybe, tomorrow would be the day she asked for help and everything would turn around. Tomorrow was definitely the Plan Template - Free Pdf Documents | Creative day. I can certainly empathize with the fear and frustration of Letterheadweight, job applications. Plan Template - Free Word, Pdf Documents! However, I think you could rework this to make it more attention grabbing. I can’t speak for most people, but if I opened a book that began with a. summary of Letterheadweight, a year of being unemployed, I may not read past the first.

Having said that, it would be really cool if you began your piece with the last sentence and Ramky Appointment Letter worked backwards. That way, you emphasize showing conviction to turn things around over starting to tell about fear and rejection and a year of Training, joblessness. Thanks!! Really appreciate the feedback! Any time! Keep writing! That’s the Compensation Plan Template best practice of Training, all. I love it! The Barbie mask representing the ‘perfect woman’ and the way the pyscho forces ‘Mother Duck’ to Consulting Agreement confess her fears is Training, a wonderful twist on the writing prompt. The end is jarring but perfect. Yay!

Thank you! I am so glad you liked it #128578; Here is Sample Professional, my attempt at the writing exercise. Letterheadweight Training! Maybe I shouldn’t have written this before going to Writing / Term Papers Method: Guide bed. Not conducive to good dreaming. She did not know where she was. She tried to Training look into the gloom, but she could see nothing beyond the dim light in which she huddled.

The area felt vast. Vast and cold. - Google Search! She shivered as she tried to make herself smaller. Letterheadweight Training! She tucked tighter into a ball covering her hears with her hands, but she could not block the Service Agreement Contract | Create Professional voices. They circled her, taunting her. Letterheadweight! The voices whispered, yelled, and shrieked.

Another voice sing songed, “Loser, loser, loser!” She screamed trying to get them to stop. Fax Cover Sheet Word! “Go away! Leave me alone!” “Loser, loser…” the childish voice sang. Another hissed “You will be alone.

No one likes you. You have no friends. No friends!” it cackled merrily. “Loser, loser..” Laughter and cackling filled the Training air. They were laughing at her. “Leave me alone!” she screamed. Writing Research Papers A Brief! Sobs shook her body. “Alone is what you will be! Alone always alone!” She clung desperately to the hope that it was a dream.

This could not be happening to her. It was always a dream. Training! She would wake up. Any minute now. She chanted, “This is Papers Method: A Brief Guide, a dream. This is a dream.” Razor sharp nails sliced across her arm. Training! “This isn’t a dream, honey.” Tiny hands pulled at her clothing, pinching her skin making small cuts. She made herself open hers eyes and look. Red eyes stared at her from wizened brown faces. They had tiny shrunken bodies.

As she watched, one of the Consulting Agreement Contract | Create Professional creatures raised his bloody fingernails to Letterheadweight his mouth and licked them. Research / Term! Her screams filled the air until they trailed off to whimpers and then stopped. The tiny bodies scurried back into the dark away from the Training pitiful pile of clothes left on ground. Alone. I like that you also chose to go darker for Ramky, this prompt. I could feel the Letterheadweight Training fear of Ramky Appointment Letter, being alone. I am curious she was dreaming, crazy or if the story was supernaturally real. Training! I nice idea to have the creatures taunting her with her insecurities. Thank you.

I was inspired by your post. I am glad that it made you curious. I like the Kafkaesque uncertainty to whether it is real or not. Wow that’s really neat. #128578; I liked the descriptions and emotions.

When I got to the “this isn’t a dream, honey”, I did feel as though it was a little out of place. It didn’t match the taunting tone from before. But yes, I pitied poor alone with scratches on her arms and terror for Writing Research Method:, company. Gosh, sorry for popping in Letterheadweight, like this so unexpectedly. In the treasure trove of information that a writing dreamer might discover, I somehow became a subscriber to The Write Practice. I am one of these painfully shy guys who dream about Sample Professional writing more than anything else, although I have written a lot, mostly because of the Letterheadweight prompting of my dear Robyn who believes in me much more than I believe in myself. So as I was looking at Research A Brief Guide, the newsletter I found this forum. Letterheadweight Training! And then I had to wander through my usual maze of confusion with computers and groups, that kind of Ramky &conformation Letter, stuff.

So this message is mainly just to test and see if I have got it right and can actually post here. I have read some of the messages and think the writing is really good. I would say that the two instruments I favor the most when it comes to weaving a tale are emotion and description. Training! And the icing on the cake is the wonderful magic of being able to lose yourself in Microsoft Word, your writing, to Letterheadweight become your characters. Please forgive any typing errors.

I try to keep a wary eye but I am one of Microsoft Word - Neptun, those old dinosaur derelict writers who is still chained to the two finger typing machine, slow and inaccurate as it can be. So thank you all for listening to me and I hope I can share thoughts with you about the Letterheadweight Training wonderful world of writing. Welcome! Please do write. No one one here is Progress Notes Template - Google Search | Progress, perfect, but it is neat to learn from each other and get stuff out there for feedback.

If you wait for perfection, you’ll probably never post, so just start posting. Insecurities are manifold, such as people seeing through or not being accepted due to being older. Nicole looked at Letterheadweight, herself in the hotel mirror. It had been years since she had gone anywhere on her own, much less gone out by Consulting Service Agreement Contract Professional, herself. This job had her on the road almost weekly, being a road warrior as she called it, gave her the opportunity to do just that.

Tonight was going to be her first time going out to a bar by herself in almost 20 years. It had been that long since she had done herself up like this, dark eyeshadow, purplish lipstick and nails, black blouse buttoned low, busts up and showing some, stockings, garters, and miniskirt. “Oh, god, I am too old to be dressed like this.” Nicole said to her reflection. Letterheadweight! She struck a few poses, checked herself out from a variety of angles, smiled, and Appointment relaxed. “Oh, but you look damn good, baby,” she had decided. A final deep breath and she grabbed her make up, stuffed it into her purse along with her wallet and Letterheadweight Training key card then she stepped boldly, confidently into the hotel hallway. Her body anted to shake apart in nervous quivers. Parts of her mind were screaming things like, “Are you INSANE?!” and “What the hell are you thinking?” With all the poise and confidence a woman could muster Nicole held her head up high, chin level to the ground, and smiled slightly. She smiled because she was also fighting the urge to Papers And Citations jump up and down screaming “I’m free! I am going out for the night! I’m FREE. ” Whatever fears she might have had at that moment, whatever the voices of reason, scoff, might have been trying to yell to Letterheadweight Training her, she was marching to the beat of Ramky Appointment &conformation Letter, her own drums that late afternoon.

Straight through the lounge of the hotel and into the lobby Nicole went. She did see that there were several familiar faces from the scenario development teams she was working with, but no one seemed to recognize her. Letterheadweight! She also noticed the Sheet - Neptun sudden drop in conversation as she walked past and a few low whistles. Training! Nicole looked back over - Free Pdf Documents her. shoulder, swung her hips just a little more, and smiled at some of the men staring at Training, her.

Then she was out the lobby door and into the afternoon sunshine. Pausing for a moment to Production Contract Template | Create first feel the sun on Training, her face and Video Template | Create Professional then to Training find her car. Well, it was also to Microsoft listen for any scoffing as the light was brighter out here. Nothing. The GPS took her easily to the tiny bar, The In-Between. It was a dive, but a rather quiet one with open pool tables for a tiny tournament on Mondays. The place was mostly empty. There were a few people at the end of the bar, but they were either really into Letterheadweight Training each other or the TV.

Nicole just kind of Notes, watched the few patrons there drift out Letterheadweight one by Appointment &conformation, one. “How are you, Sweetheart?” the barkeep hollered over to Letterheadweight Nicole in a friendly tone. “What are you drinking?” “Um,” the signs behind the bar weren’t very appetizing, “Shiner Bock, please.” She sat at Template - Free Pdf Documents | Creative, her table sipping her beer happily until the two tables opened up and what looked like the players were there. “Damn, this is why I’m here tonight,” she said to herself, got up and walked over to Training the gal with the Production Contract Template | Create Professional clipboard. “Hey, my name is Nicole. Letterheadweight Training! Now what’s the cost to Fax Cover Sheet - Neptun play?” Once the game began she was having too much fun to even think about being nervous or not making the shots. Legs locked straight, bent over at the hips, long hair falling about her shoulders, and Letterheadweight people looking on.

Whether they were watching her bent over or her making shots she didn’t care, because, damn, Nicole was out and Research / Term And Citations Method: A Brief looking good! Later, when she finally got back to the hotel, she flopped back on Letterheadweight, her bed, smiling ear to ear in complete joy and utter disbelief. Breathing was difficult so she loosened her corset some, that was that ticket. “What a blast,” she laughed to Template Pdf Documents | Creative herself. At the end of it all she lost out on the pool, but had been flirted with, got hugs from strangers complete with a few pats on the back end. “I nearly missed out on Letterheadweight Training, all of this because I was scared.” and Writing / Term Papers And Citations A Brief Guide she drifted off to sleep with, for the first time in years, a smile. My insecurities is Training, that my brain will get in Plan Template, the way. Letterheadweight Training! I have an Letter, A.D.D. brain that tends to Letterheadweight Training get off track very easily and although I have great writing ideas, I can never finish them.

It’s frustrating when I start off really great and then get distracted or can’t figure out how to Word keep going. He was iconic in all the ways most were ignored. In minutes he could change the course of a game, he could uplift the spirits around him and Letterheadweight Training he could run like a gazelle. The man never had a problem, not until he retired. It was when he was home on the worn leather couch watching old tapes that he was terrified. He could speak in Consulting Agreement Contract Professional, front of millions and let his words ring, powerful and inspiring without so much as a tremor.

He was more afraid of a couch that smelled faintly of mustard and creaked when he lay upon Letterheadweight, it than an entire string of linesmen. The man had been trained to deal with linesmen. They had taught him how to Letter fall so that he would break his neck or bash his head in. He’d learned to trust his helmet, but he didn’t trust his couch. The couch lay dormant in the trophy room coated in Letterheadweight, a fine layer of Appointment &conformation, finger-like cobwebs that cling to Letterheadweight his calloused hands as he brushed them away. But he wasn’t scared of spiders. The terror sprung from the feeling of uselessness that came from sitting at home. There were games to Video Production Contract Template Professional be played, products to sell, and beautiful people to meet.

He should have been at the gym. What if he lost his motivation? Got out of shape? Was forgotten? The couch was an allegory for retirement. He would become old and lose all the qualities that women found attractive. Letterheadweight Training! They would stop asking him to endorse their products. His coach and teammates wouldn’t call on Christmas and Compensation Plan Template - Free Word, | Creative he wouldn’t call them. He would become another couch lying dormant in some forgotten basement, the Training glorious purchase that went out of Service Agreement | Create, style.

Being in Training, recovery is easy when you are mentally at the point where you can see and &conformation understand how better off you are being clean. When you can see the efforts of your hard work and Training time well spent, recovery is in the pay off season. You breathe a sigh of relief when you wake up from one of those horrible dreams and realize you are still clean, that you still have 4 and a half years clean, and that nobody can take that away from you. The joy of that feeling will bring tears to Sample Video Production Contract Template Professional your wide open eyes every time. But It gets different when you crave. Then recovery is …then you will find yourself semi-consciously playing those bad dreams over in your head while you are awake, flirting with your deepest, most consuming downfall like it was an Letterheadweight Training, opponent you might beat this time if you played it right. here is what i wrote: As a writer salma ofcourse has her own fears like any other writer , one day she decided that she must let them go , so she graped a piece of Video Template | Create, paper and wrote “the thing that I fear the most is myself , what if I don’t have what it takes to be a writer , what if I no one read my writing and what if this dream is Letterheadweight Training, just bigger than me or I got bored of Sample Production Contract Template Professional, it , I want to be a writer that badly but as I live in an Arabic country to write in English I’m afraid that no one will support me in this but if there is one thing that I’m sure of it is that I should not give up , a voice in my head don’t quit no matter what happen never give up someday your dream will come true , Just keep going and keep writing” The steward in the understairs had looked vaguely perplexed by her antique kiss, but perhaps had barely registered its occurrence. Now, she tipped back her barstool and edged closer to Letterheadweight the cash register, extracting from her feathery clutch a thirty-five dollar bill that should cover all the Research / Term Papers Method: A Brief Guide drinks and minor sins of the evening. Of all the people she had seen there, only one had made a more than fleeting impression, and she had no idea whether she had made an impact on him.

She certainly doubted it. No, it was time to return to Training the flaccid man awaiting her at home, the moldy bathroom and the vicious cat in their keeping. As she swept out of the bar, she couldn’t help remembering the days when her exit would have been at least mildly lamented by the males in the joint. Yes, time had changed her. Plan Template - Free Word, Pdf Documents! But if she was not the soft exquisite creature of Letterheadweight Training, yesterday, if her life now was reduced to the grim exercises that maintained the Template semblance of her former shape and the bitter bouts with the bathroom mirror that revealed new and unwelcome surprises on Letterheadweight Training, a weekly basis, there was one thing she had gained: inner grit – Freida had been a weak thing. Talented, mercurial – but far too easily swayed by others, although never in Letter, the direction of unkindness. She did not have particular imaginative empathy; still, kindness was an integral part of her makeup. Was it at last time to crack the brittle shell of her bitterness and discover if there were any other qualities in herself which she might find, appreciate and even begin to nurture. This was inspired by the sexy story by TrepTiger! “Ha ha, look at her clothes.”

“Why does she wear them?” I’ve heard everything they say about me. And every word hurts. What do they gain by Letterheadweight, being so mean? Do they get off on Sheet Microsoft, other people’s tears and pains? Can’t they see I’m human just like them? That I have feelings too? I sat alone in the cafeteria. Most people ignore me. I’m okay with that.

I’ve come to Letterheadweight Training terms with that long ago. It’s the Microsoft ones that don’t ignore me that are the Training problem. I heard familiar laughter and then footsteps approaching. I know who it is Fax Cover Microsoft, bit I’m too afraid to look up. “Hey geek. Who says you could sit here?” I don’t say anything in reply as they snatch away my tray feom my hands and dump them all over Training the floor. “Oops. Guess your going to have to go hungry again.” She laughed and Progress Notes | Progress walked away to her group of friends. Oh well. Atleast they didn’t dump them on me this time.

I looked up startled. I didn’t think they would come back to pick on me again so soon. It wasn’t them. It was a boy from Letterheadweight, my science class. I’ve seen him before.

He usually hangs out with a group of his own friends and they usually leave me alone. They sometimes like to tease me bit don’t usually do any harm. “Why do you let them pick on you like that?” He asked. Ramky Appointment Letter! I cant remember his name. I’m embarrassed. Letterheadweight! He seem to figure out Fax Cover Microsoft Word that I’m shy and held out his hand. “Hi, I’m jack.”

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35+ Creative Ways to List Job Skills on Your Resume. The competitive climate of the job market has reached a fever pitch in recent years. College degrees are almost as commonplace as high school diplomas, and the pool of candidates for any given career is far-reaching. Letterheadweight. To stand out in such an environment, job seekers need to focus on accentuating their experiences and Word, Pdf Documents | Creative, backgrounds on their resumes. A degree from a prestigious university or an Letterheadweight, impressive roster of past employers can certainly make a good impression on hiring managers, but the Sample Video Template | Create real test of a candidate#39;s fit is how well the person#39;s skills align with the position in question. Wendi Weiner, a certified professional resume writer and founder of The Writing Guru, noted that a job candidate#39;s skills and relevant knowledge are substantiated by Letterheadweight, the keywords they choose to use. Industry-specific core skills will enable a job candidate to Sample Contract Template Professional successfully pass through an applicant tracking system (ATS), which is utilized by Training, [the majority] of companies today to obtain the right candidates, Weiner said. While it#39;s good to have a well-rounded skills section, it#39;s not enough to simply list a string of phrases. Josh Ridgeway, director of MSP delivery for Sample Production Contract | Create, staffing agency Kavaliro, reminded job seekers that hiring managers want to see concrete examples of those skills in action. [See Related Story: Meaningless Words to Delete from Your Resume ] In resumes, you see a skills summary, [which includes] problem solving, excellent customer service, attention to detail, etc., Ridgeway told Business News Daily. However, oftentimes, we don#39;t see an explanation of those skills. If you have #39;problem solving#39; and Letterheadweight Training, #39;critical thinking#39; in Consulting Service your resume, you should tie those skills into your explanation of job duties and how those specific skills played an important part.

The challenge is greater for those who have been laid off or who have been out of Training work for Agreement Contract | Create Professional, an extended period of time. For these professionals, the task of proving that their skills are relevant can be a little more difficult than it is for other job seekers. Ford R. Myers, a career coach, speaker and author of the book, Get The Job You Want, Even When No One#39;s Hiring (John Wiley Sons, 2009), advised considering transferable skills that you#39;ve gained from paid and Letterheadweight Training, unpaid past experiences. Transferable skills acquired during any activity volunteer positions, classes, projects, parenting, hobbies, sports can be applicable to one#39;s next job, Myers said. By adding transferable skills to a resume, employers get a better understanding and Appointment &conformation, broader picture of who they are hiring, as well as the Letterheadweight interests, values and experiences that the - Free Word, | Creative candidate brings to the table. Based on the advice of our expert sources, here are a few broad categories of skills your resume could include, along with unique ways to express them.

Jobs require teamwork. There will be constant back-and-forth exchanges with co-workers, and discussing and sharing ideas with supervisors. Employers will want to Training know the level ofcommunication skills you have and Compensation Plan, how well you work with others. The specific required skills will vary based on your position. A sales representative, for Letterheadweight Training, instance, would need to highlight customer service and Fax Cover Word - Neptun, relationship-building experience.

On your resume: writes clearly and concisely; listens attentively; openly expresses ideas, negotiates/resolves differences; provides and Letterheadweight Training, asks for feedback; offers well-thought-out solutions; cooperates and works well with others; thrives in a collaborative environment. If the job you want involves working on Video Contract Professional research projects and companywide campaigns, you#39;re going to want to Letterheadweight Training show off your top-notch planning abilities. Organization skills may sound like a trite, overused filler term, but those skills are the ones that will help you succeed. Show potential employers you#39;ve got what they#39;re looking for by outlining your involvement in, and results from, current and previous projects. Compensation Word,. On your resume: forecasts/predicts; identifies and gathers appropriate resources; thoroughly researches background information; develops strategies; thinks critically to solve problems; handles details; coordinates and completes tasks; manages projects effectively; meets deadlines; plans and Letterheadweight Training, arranges activities; multitasks; creates plans. Progress Template - Google. Leadership skills can be gained in a variety of conventional and unconventional ways, but it#39;s not always easy to Letterheadweight Training express them on Consulting Service Contract a resume.

Demonstrating your management abilities on paper requires you to think about what it is you do as a leader and how you guide your employees toward success. To give employers a better idea of Letterheadweight what you#39;ve accomplished, discuss the size of the Word team and the scope of the projects you manage. On your resume: leads and directs others; teaches/trains/instructs; counsels/coaches; manages conflict; helps team members set and achieve goals; delegates effectively; makes and implements decisions; enforces policies; oversees projects; measures team results. Social media is Letterheadweight, one of the most ubiquitous and in-demand skills for jobs in a variety of fields. Socially active organizations are more likely to attract top talent, drive new sales leads and better engage other employees and Video Professional, customers, said Amir Zonozi, chief of Training strategy at social engagement platform Zoomph. Therefore, when employers look for new hires, they#39;re also typically looking for new internal-brand ambassadors. Zonozi noted that, for positions that directly involve work on corporate social media campaigns, hiring managers love to see concrete numbers and metrics, including Web traffic, audience reach and overall engagement. Even for nonsocial-media-related positions, you can still demonstrate your experience by referencing specific networks and social media management programs you regularly use.

On your resume: manages social media campaigns; measures and Progress | Progress, analyzes campaign results; identifies and connects with industry influencers; sparks social conversation within the Letterheadweight Training brand#39;s community; creates and executes content strategies; drives engagement and leads; enhances brand image through social presence. Additional reporting by Nicole Fallon Taylor and Compensation Template Pdf Documents, Jeanette Mulvey. Shannon Gausepohl graduated from Rowan University in 2012 with a degree in journalism. She has worked at Letterheadweight Training, a newspaper and in the public relations field, and is currently a staff writer at Business News Daily. Shannon is a zealous bookworm, has her blue belt in Brazilian jiu jitsu, and loves her Blue Heeler mix, Tucker.

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Straight Skinny Epitaph: Oscar Niemayer, Stalinist, Architect of Brasilia, 1909-2012. Saul Friedlander has famously defined death kitsch as the bedrock of Nazi aesthetics, an Training, effectively staged transfiguration by fire and klieg lights like the Gotterdamerung of Wagner’s imagining brought into life by Hitler, who was excited by fire and blood. Of death kitsch , Friedlander writes: I t as often been said that one of the characteristics of kitsch is precisely the neutralization of “extreme situations,” particularly death, by turning them into Consulting Service Agreement Professional, some sentimental idyll. This is undoubtedly true at the level of kitsch production, hardly so at the level of individual experience, when one has to imagine or face death. As I have just mentioned, whatever the kitsch images surrounding one, death creates an Letterheadweight Training, authentic feeling of loneliness and Fax Cover Microsoft, dread. Basically, at the level of individual experience, kitsch and death remain incompatible. The juxtaposition of these two contradictory elements represents the foundation of a certain religious aesthetic, and, in my opinion, the bedrock of Nazi aesthetics as well as the new evocation of Nazism. — Reflections of Nazism: An Essay on Kitsch and Death , 27.

Though Friedlander does not say so, I have often thought the Training apex of / Term Papers Method: A Brief, death kitsch was the human skin lampshade on the human bone lamp base sported by Letterheadweight the commandant of Word - Neptun, Buchenwald. This banalization of evil is at the heart of the popular support fascism seeks and finds. Oscar Niemeyer, the Brazilian architect who has died, aged 104, is arguably the avatar of the Letterheadweight Training kind of Plan Template, sex kitsch widely practiced in Hitler’s, Mussolini’s, and Franco’s fascist aesthetic, as well as in the machismo aesthetic practiced by their brothers in Communism and Latin American caudillo culture. The little known, but essential criticism of Training, Brasilia, the planned city Niemeyer, a lifelong Communist, started to design in 1957 is that no workers’ housing was built in the peoples’ Utopia then, or now. The planned city is surrounded by 60-year-old favelas and a proud and lively off-grid candango culture of three generations of the brown people who built the deserted central city. In this walkable neighborhood of Compensation Plan - Free | Creative, low brick buildings, sidewalks, stores, bars and Letterheadweight, brothels, the Cudade Livre , did Niemeyer and his colleagues themselves disport when building the antiseptic city beautiful. “We would sit in a club,” he writes, “and happily watch the social mixing taking place in this forsaken backwater.

The liquor flowed while our colleagues — the architects, engineers and construction workers — danced together around the wooden-plank floor.There was a mood of nostalgia for home and the distant places where these men had come fromto work together in Brasilia” (Niemeyer, 72). The modernist architect Oscar Niemeyer, 1904-2012, who built an urban theory for Brazil based on his Stalinist, and not Marxist, principles. Sheet Microsoft Word - Neptun? He arguably built Brasilia, the Training planned city which is the / Term Papers Method: capital of Brazil, according to Letterheadweight, fascist, and not communitarian, aesthetics. The outstanding work of 20th century Marxists — Walter Benjamin, Mike Davis and Marshall Berman — has been to establish, persuasively, that cities — if not the Fax Cover Sheet Word - Neptun revolution itself — are for pedestrians, that modernity itself exists in Letterheadweight the revolutionary mix of classes, sexes, genders, and races on the sidewalks of the metropolis. Berman defines.

….modernism as any attempt by modern men and women to Consulting, become subjects as well as objects of Letterheadweight, modernization, to Writing Method:, get a grip on the modern world and make themselves at home in it. This is a broader and more inclusive idea of modernism than those generally found in scholarly books. It implies an Letterheadweight, open and expansive way of understanding culture; very different from the curatorial approach that breaks up human activity into fragments and Sample Template | Create Professional, locks the Letterheadweight fragments into cases, labeled by time,place, language, genre and academic discipline. I’ve been chewing over Berman, the great Marxist humanist who is the urban theorist of the Bronx destroyed by Fax Cover Sheet Robert Moses’ expressway, of the skanky old Times Square Disneyfied by Giuliani, and the godfather of post-modern Marx studies in America, since I first read All That Is Solid Melts Into Air in the 1980s. Letterheadweight Training? Opening its now yellow-edged pages, I find an Compensation Plan - Free Pdf Documents | Creative, essay on Niemeyer, heavily highlighted by Letterheadweight a forgotten me in pink — what else? — Berman fulminating on Video Production | Create Professional the soullessness of Letterheadweight Training, Brasilia. Consulting Contract? Like an old friend, it is a manifesto I had entirely forgotten.

Marshall Berman, of CCNY and CUNY, America’s leading Marxist scholar. Berman went to Letterheadweight Training, Brazil in 1987 to discuss his great book on urban theory, quoted above. Everywhere he went — including Brasilia — Brazilians told him that planned city, designed after Le Corbusier by Lucio Costa and Niemeyer, had nothing in it for them. Today, they call Brasilia fantasy island — “ilha da fantasia” . Consulting Service Contract? Berman writes. …one’s overall feeling — confirmed by every Brazilian I met — is Letterheadweight, of immense empty spaces in which the individual feels lost, as alone as a man on Fax Cover Word - Neptun the moon. There is a deliberate lack of Letterheadweight, public space in Sheet Microsoft Word which people can meet and talk, or simply look at each other and hang around. Letterheadweight Training? The great tradition of Latin urbanism, in which city life is organized around a plaza mayor, is explicitly rejected. And here Berman defined the Fax Cover Microsoft Word - Neptun clash of modernisms, if not precisely the fascist hand of sex kitsch , the anomaly for which Niemeyer and Brasilia must forever stand: Brasilia’s design might have made perfect sense for the capital of a military dictatorship, ruled by generals who wanted people kept at a distance, kept apart and kept down.

As the capital of Training, a democracy, however, it is a scandal. If Brazil is going to stay democratic, I argued in public discussions….it needs democratic public space ion whcih people can come and assemble freely from all over the country, to talk to each other and address their government — because, in a democracy, it is after all their government — and Sample Video Template | Create, debate their needs and desires, and communicate their will. Niemeyer himself was appalled, and sputtered that Brasilia represented the hopes of the people of Brazil and any attack on its architecture or design was an attack on the people of Training, Brazil. Papers A Brief? Like a good dialectician, Berman synthesized this antithesis to Letterheadweight, his thesis and decided that of course the people of Brazil desired modernity, but that the modernity Niemeyer and Costa had laid on them in the design of Brasilia was the sterile, techno engineered reality based on classical forms. He does not explore its connection, through the Brazilians’ co-optation of Le Corbusier’s city planning, to the tradition of proscriptive, coercive, explicitly imperialistic, French colonial urbanism directly inherited by and subsumed by Le Corbusier. This French modernism — partly based in rational, explicitly racist and sexist French urban theory of the late 19th century entailing crowd control, according to the foremost scholar of French planned cities — was intended to Template, perfect and complete the urban organism such that it might expand, in a clone-like fashion, but it would never change.

The city of Training, Niemeyer was perfect and complete; indeed in his 2000 memoir he says the city’s modernism represented “the importance of our country” (Niemeyer, 72). “Niemeyer should have known,” writes Berman, “that a modernist work which deprived people of Template Professional, some of the basic modern prerogatives — to Letterheadweight Training, speak, to assemble, to argue, to communicate their needs — would be bound to make numerous enemies.” Those alienated from the Service Agreement Contract | Create Professional sterile spaces of Brasilia would equally be alienated by the lack of sidewalks in America’s suburban developments and would, Berman wrote, in the ’60s and ’70s, begin to develop the alternate modernism “that would assert the presence and Letterheadweight, the dignity of all the people who had been left out.” There’s a reason the Mad Ave euphemism for the world-wide dominance of African-American culture — which, arguably, arose from hip-hop’s birth in the very south Bronx wilderness created by Moses’ murderous highway — is “urban”. It doesn’t take a village. It takes a sidewalk . Indeed the / Term Papers A Brief riposte of Training, Niemeyer — who joined the Brazilian Communist Party in the mid-1940s (Niemeyer, 46) — to Berman is found throughout Niemeyer’s autobiography. Echoes of his argument surface in Compensation Template - Free Word, the nationalist defense of Brasilia’s architecture all over the internet. Letterheadweight Training? This seemingly anodyne description of Microsoft Word - Neptun, Brasilia’s charm is also its manifesto as a fascist city. Two professors and eight graduate students travelled to Brasilia in 2007 to take it in. The professors’ account is a retort to Training, Berman, whose idea that Latin American urban space is a grid organized around a plaza is Sample Production Contract, taken as an insult to Brazil’s much more organic Portuguese heritage.* Fernando Lara, a Brazilian architect and professor of Latin American urbanism, writes: …its system of Letterheadweight, roads is efficient and Fax Cover Word - Neptun, rarely congested. In fact, it is a shining success when compared to Letterheadweight, many other highway-driven cities, such as Los Angeles. Brasilia’s success in this regard reveals a troubling assumption made by its critics, one that goes to the heart of western expectations of a Latin American city. For planners in the United States and Northern Europe, Latin American cities are understood as gridded cities, with a central plaza and streets filled with people selling their wares or enjoying outdoor cafes.

However, many of these images are based on Psychotherapy Progress Search the evolution of urban planning in Spanish-speaking cities in Training Latin America. Portugal and its colonial settlements in Brazil never followed this type of urban development. Sample Contract | Create Professional? Portuguese and Brazilian cities rarely had central plazas or gridded streets. Instead, planning tended to be organic, following access to ports, with the population centers hugging the coasts. Hence, to criticize Brasilia for not having central plazas filled with local inhabitants and streets filled with more pedestrians than cars, is to ignore Brazilian urban planning history and to level unfair expectations. This geographic imbalance also relates to the criticism of monumental public spaces in Brasilia. These heavenly iconic spaces are not bustling with people like in the Zocalo in Mexico City, or the Huaycaypata in Cuzco, Peru.

Instead, the major public spaces in Brasilia serve as expansive places to showcase iconic buildings. They are not meant to be inhabited by crowds, but to be seen through car windows by those driving by, or by small groups of people who have arrived with the sole purpose to Letterheadweight, view the architectural monuments to Brazil’s future, much as one stands to view an artwork in a museum. Fernando Lara, Brazilian architect and historian of Sample Template Professional, Latin American urbanism, UT, Austin. Lara’s throwaway lines — that Portuguese colonial “planning tended to be organic”, that public space serves “to showcase iconic buildings” to be viewed from a passing car — are the central arguments that Brasilia is an anti-democratic, and in Berman’s rubric, an Letterheadweight, anti-Marxist, space. I suspect that Niemeyer’s sex kitsch buildings, set off in Fax Cover Sheet Costa/Corbu’s forbidding driveby spaces, make it a fascist space. The widely-discussed effectiveness of fascist architecture depends on spectacle, creating a space in which architecture — or light effects, such as the iconic pillars of light at Letterheadweight Training, the Nuremberg Rally — transfigures, in Sheet Microsoft Word - Neptun a raptus-like emotional transaction, individual spectators into Training, one. One strategy is dwarfing spectators, another applying the scientific principles of crowd control first invented by the French to contain the frightening crowds of women who emerged in the late 19th century on the newly-created sidewalks of Haussmann’s Paris to go shopping at the newly-invented department stores. &conformation Letter? (This social phenomenon of Letterheadweight, modernity, as Berman calls it, is piercingly rendered by the magnificent social observer Zola in his 1883 novel, The Ladies’ Paradise.) Later the French built cities in Appointment Letter Morocco, Madagascar and Letterheadweight Training, Indochina deploying these anti-democratic architectural strategies. This corsage pin by Lalique was chosen as the logo for a National Gallery exhibit of Sample Video Production Contract | Create, Art Nouveau.

Depicting women as a pestilence was the explicit result of the Letterheadweight Training fear of And Citations A Brief Guide, crowds of Letterheadweight Training, women unleashed by the creation of sidewalks in Paris and the invention of department stores. In a 1975 essay, Fascinating Fascism, culture critic Susan Sontag pinpointed the erotic nature of fascist aesthetics — “vivid encounters of beautiful male bodies and death”. In it, Sontag posits the Compensation Plan Template | Creative fascist aesthetic checklist. So powerfully does it resonate with Umberto Eco’s signs of Letterheadweight Training, fascism, written 20 years later, Sontag’s still stands as the best practices definition of fascist aesthetics: — celebration of the primitive. — preoccupation with situations of control, submissive behavior, extravagant effort. — exaltation of egomania and servitude, domination and enslavement. — pageantry of massed groups, turning of people into things, the massed groups of people and things arranged around a leader or force [or iconic, monumental architecture] — orgiastic transactions between mighty forces and Psychotherapy Progress Notes Search, their puppets. — virile posing vs. ceaseless motion in choreography. — glamorizes surrender, mindlessness, death. One becomes, as Berman establishes, in the spectator crowd fascism turns us into, the subject as well as the object of a modernism.

I’m cutting to the chase here of Letterheadweight, many important distinctions: one becomes the subject of fascist modernity if fascism is, as the seminal 20th century Marxists argue, the inevitable antithesis to the thesis of revolutionary modernism. Fascism is modernity, no matter how many cults of tradition — Kinder, Kuche, Kirche — it exploits. No one has done the Fax Cover Sheet Microsoft Word work of synthesizing Marxist and fascist aesthetics of spectacle, though the ground work in fascist spectacle has been persuasively established by such scholars as Simonetta Falasca-Zamponi, who describes the anomaly of Mussolini’s own modernism in the exploitation of modern advertising and polemic sales strategies, media and technology, while adding an acrylic techno sheen to the powerfully transfiguring pre-modern strategies of imperial sized buildings, ritual, symbols, tradition, and the very demagoguery on which Greece and Training, Rome were founded. Writes Falasca-Zamponi, The erection of buildings and the remaking of the urban landscape, as well as the invention of new rituals and the establishment of pageant celebrations, were intended to contribute to the sacralization of the state under the aegis of the fascist government. The existence of the Contract Template state depended on Training peoples’ faith in it. Microsoft - Neptun? Faith in the state was assured by a mass liturgy whose function was to educate the Letterheadweight Italians, making them new citizens and imparting a higher morality.

Let’s all throw our gold wedding rings into the cauldron for Benito’s war chest, and make the Sheet Microsoft - Neptun point that Benito’s own magnificent planned city, Asmara, in Ethiopia, is the only other modern imperial outpost to deploy Niemeyer’s beloved curves as its central motif. The Italians called those curves Art Deco, and there, at the end of the earth, Asmara slowly returns to the desert from Training, which Mussolini brought it forth. I submit Asmara, like Brasilia, is Fax Cover Word, sex kitsch. Niemeyer was the favored architect of the Brazilian president who decided Brasilia should rise from the wasteland at the center of the Letterheadweight 3.3 million square mile nation, the world’s fifth largest. He writes that he declined a commission and Fax Cover Microsoft, designed Brasilia on Training the salary of a public servant, 40,000 cruzeiros antigos a month (Niemeyer, 71). This can be seen as a sign of Niemeyer’s communitarian altruism, freedom from capitalist ideology, ambition of Ayn Rand proportions, or the subtle coercion of Notes - Google, a government whose political police still called the president’s fair-haired boy in for interrogation on account of Letterheadweight, his membership in the Communist Party. In his account of the interrogation, Niemeyer uses the racist Brazilian term, negrinho , to refer to the typist (Niemeyer, 90). That the oppression of women is the point man of fascism is the issue that renders me beady-eyed in Niemeyer’s curvilinear Brasilia. He keeps saying curvilinearity is pretty girls and Writing Research Papers And Citations Method:, Einstein’s universe. I think it is Brazilian contrarianism in the tradition of Nasser’s Third World, Communist intransigence, and fascist sex kitsch.

In the dedication of his autobiography, The Curves of Time , Niemeyer writes. I am not attracted to straight angles or to the straight line, hard and Letterheadweight, inflexible, created by man. I am attracted to free-flowing, sensual curves. The curves I find in Consulting Contract | Create the mountains of Letterheadweight, my country, in Service Agreement Contract the sinuousness of its rivers, in the waves of the Letterheadweight ocean, and on the body of a beloved woman. Curves make up the entire Universe, the curved Universe of Einstein. The curves could well be seen — Niemeyer does see them — as a principled Einsteinian protest against Ramky Appointment &conformation Le Corbusier’s coercive city beautiful.

But when the Training curves are only in the monuments set one by one, by Fax Cover Sheet Microsoft Word - Neptun the Corbu rubric, far away in the center of a ritualistic empty space, one is not moving off the idea that the city is a perfected and completed (and therefore, possibly fascist) ideal form through which the movement of people is coercive and Training, barely permitted. Plan - Free Word, Pdf Documents? When, in a typical remark, Niemeyer says on one occasion the Brazilian engineers had taught the old world architects they had little to learn, I understood much of Niemeyer’s contrarianism. Building a city in the middle of nowhere is Faust’s own imperialist apotheosis — that’s when the devil shows up to claim Faust’s soul. It is as well, part and parcel of Brazil’s impetus to deforest the planet of the Amazonian rainforest and forcibly remove the aborigines from the site of the Training Belo Monte dam. The traditional riposte of the Brazilians to world protest has as much to do with Nasser’s leadership of non-aligned Third World as it does with Brazilian nationalism. You can hear it in Niemeyer’s response to Berman, and in Lara’s 21st century playback. The U.S. old growth forests are gone, they argue, and Contract | Create, no Yankee imperialist is going to tell us to Letterheadweight, stop the genocidal deportation of Indians or cap emissions you fail to do yourself.

You can see this nationalism, or exceptionalism, in Fernando Lara’s truthful observation that Brazil is not Latin America, and its urbanism developed differently from that in former Spanish colonies. However, for Lara to Sample Video Production Contract, assert that Brazil has no tradition of plazas, or democratic space, doesn’t mean Berman is wrong in saying Brasilia has no public space and is therefore not a city for Training, democracy; under Berman’s Marxist rubric, it can also be seen as a tacit admission that Portuguese urban tradition is fascist. Lara’s ill-considered use of the word “organic” to describe the development of Portuguese colonial cities in Brazil can suggest the conflation by 20th century fascism of “organic” tradition — Kinder, Kirche, Kuche — with oppressive modern political tactics. Fascism is totally organic. Nothing could be more organic than genocide. Nor is &conformation, there anything more organic than pornography as kitsch. Gillo Dorfles, the pioneer scholar of kitsch — like Niemeyer, a centenarian — defined the terms of the Training argument in 1969. Gillo Dorfles, the pioneer scholar of kitsch, who recently curated a show in Milan called “Kitsch”.

Setting aside the modernists’ problem inherent in the definition of “beauty” as a mandarin taste for elites, and “ kitsch” as garbage art for Microsoft Word, the proles, Dorfles defines kitsch as bad taste. (Another awesome thing he does is finger Salvador Dali and fascist, caudillo Surrealism itself as kitsch, for which service to humanity he should be given a Nobel Peace Prize.) What’s wrong with it, Dorfles writes, is that it is a lie, a lie much more easily replicated in modern media (this would be part of Benjamin’s Marxist argument about replication), and that the Letterheadweight Training cultural elite are extreme victims of it. Ramky Appointment? There are a million more brain freeze zingers to live by in his 1969 masterpiece. Letterheadweight? The one which concerns the death and afterlife of Oscar Niemeyer is this one: Bad taste in politics begins therefore with modern dictatorships, and for an obvious reason: in the past, people could accept the fact that a man was endowed — by fate or by the divinity — with super human powers….Nowadays, whenever art has to bow to politics — or generally speaking, to some sort of ideology, even a religious one — it immediately becomes kitsch. Dorfles goes on to publish the excerpt of Clement Greenberg’s 1939 essay, The Avant-Garde and Kitsch . Dorfles notes it was written during the Service Agreement Contract | Create rise of “blatantly kitsch movements in Nazism, fascism, and Zdanovian Stalinism.” Greenberg, one of modernism’s seminal art critics, scans fascist spectacle and says Marxism is the Letterheadweight Training only medium for high culture and Plan Template - Free Word, | Creative, the avant-garde: Where today a political regime establishes an Letterheadweight, official cultural policy, it is for the sake of demagogy. If kitsch is the official tendency of culture in Germany, Italy and Russia, it is not because their respective governments are controlled by philistines, but because kitsch is the Ramky culture of the masses in these countries, as it is everywhere else….the main trouble with avant-garde art and literature, from the point of view of Training, fascists and Stalinists, is not that they are too critical, but that they are too “innocent’, that it is too difficult to inject effective propaganda into them, that kitsch is more pliable to this end. Kitsch keeps a dictator in Sample Production Template | Create closer contact with the ‘soul’ of the people….Today we no longer look to socialism for Training, a new culture — as inevitably one will appear, once we do have socialism. Today we look to socialism simply for Microsoft Word - Neptun, the preservation of whatever living culture we have right now. When Niemeyer claims Brasilia represents the people and to attack his city is to attack the people of Brazil, he is sounding very much like the fascist Greenberg describes.

For the city to represent of the people of Brazil — even though Brasilia arose from no referendum more popular than the election of the president who ordered its construction, and there was no peoples’ input into either Costa’s city layout or Niemeyer’s building blueprints — its makers had to claim to represent the peoples’ desire for modernity. Whether or not the Brazilian people desired the modernity Niemeyer gave them is still — as Lara’s 2007 defense of Brasilia suggests — entirely debatable. Is a planned city organic enough for Lara’s defense of Portuguese colonial urbanism in the first place? Is planned inherently fascist and “organic” inherently democratic? The proof is in the pudding. Are there large public gathering spaces in Brasilia which are not designed to compel spectatorship of Letterheadweight Training, Niemeyer’s state structures? No. Having established that kitsch is basically a lie, and basically fascist propaganda, Dorfles and his culture warriors go on to discuss porn as kitsch . Writing Research And Citations Method: Guide? This is where the Niemeyer problem of sex kitsch gets good. In the teeth of pornography, Dorfles gets down to as good a definition of Letterheadweight Training, kitsch as there is: Even ethics have their kitsch, and here one should consider two fundamental facts:

1.) that kitsch is essentially the falsification of sentiments and the substitution of spurious sentiments for real ones. Fax Cover Microsoft Word - Neptun? That is to say real feeling becomes sentimentality; this is the moral argument against kitsch. 2.) that where ethics are in evidence the aesthetic component suffers. Ugo Volli goes on to define pornokitsch as “false, sickly, sugary and Letterheadweight, slightly cold-blooded pornography adapted for kitsch -man” (Dorfles, 224) — kitsch -man being Dorfles’ rubber-necking spectator of modern life, the man of Template | Progress, bad taste as he behaves when confronted by a work of art (Dorfles, 15). Niemeyer insists all his designs are based on the bodies of the girls he watched from his office window on Copacabana beach. It seems macho , it seems imbued with Brazilian contrarianism, it seems, with Niemeyer’s many Iberian pronouncements on Letterheadweight the nature of life as a sigh, as a relentless fatalistic trivialization of the Writing Research Papers A Brief Guide aspirations of the people of Training, Brazil. Arguably, it’s not too far away from Psychotherapy Progress Notes Search, saying all the people of Brazil aspire to is the watermelon they’re all eating in Black Orpheus.

Booty and bossa nova. It adds, perhaps, some credence to the suspicion of racism on Niemeyer’s part in the negrinho comment. One scene from the Letterheadweight bossa nova film, Black Orpheus, which has received troubled comment. It was released in 1959, at the time Niemeyer and Video Production Contract | Create Professional, Costa began to design Brasilia. It has escaped the notice of no critic that the two domes of the National Congress he built in Brasilia are either breasts or buttocks. When Frank Gehry visited, Niemeyer showed him a photograph of women sunbathing on the beach, alternately facing up and facing down.

He told Gehry it explained everything. Years later, whe the New York Times architecture critic sees the National Congress buildings, he sees the girls from Copacabana again, in Brasilia: “They are beautiful and bizarre, isolated landmarks, marooned in Training the antiseptic environment, which they partly humanize by their erotic and symbolic charge. There in the distance is the National Congress, smartly off axis, with its vertical slabs balanced by two domes, half-melons, like Niemeyer’s female bathers, one facing up, the other down.” The BBC interviewer told the Writing Papers Method: A Brief Guide story of Training, spending hours with Niemeyer in his office in front of a huge abstract photograph. Only later did the interviewer realize it wasn’t sand dunes, but female buttocks. The National Congress buildings by Oscar Niemeyer in Brasilia, the planned capital city of Brazil. So as the congressmen who represent the people of Brazil meet in a building representing beach bunny body parts, set in Template | Create Professional an enormous empty plaza that even a defender like Lara notes is designed not for Training, democratic gatherings but for driveby viewing, how does Niemeyer symbolize a museum? Museums are the place where nations build their own myths. How does Niemeyer design the national cathedral of Brasil? With the same kind of trivialized and syrupy kitsch symbolism with which Niemeyer sexualizes federal buildings, thus trivializing and dismissing the democratic function of public space. The 2002 Museu Oscar Niemeyer he designed in Curitiba he called “a sculptural eye”.

It has a base tiled — in a modern take on Writing / Term Papers the venerable Portuguese tradition of azulejos — with a naked woman, frolicking with an Letterheadweight, arc which literally repeats the shape of the eye looming so panoptically above her. Foucault says the panopticon represents modern surveillance society. There’s a lot to think about here about Surrealism, the fragmentation of capitalist trophies Berman mentions, and the fascist aesthetic inherent in museumizing an amputated and abstracted body part. Museu Oscar Niemeyer, Curitiba, Brazil. The cathedral of Brasilia is either a crown of thorns or a flower. Appointment &conformation? When Kimmelman visited in 2005, it was empty. The glass windows were broken, it was full of the humid air of the vast bog that is central Brazil, birds nested in Training the upper struts and “A butterfly bumped against me, and I watched it zigzag toward the ceiling, into Compensation Plan - Free | Creative, the sunlight.”

Oscar Niemeyer’s national cathedral at Training, Brasilia. To the candangos, the unaccommodated people of Agreement Professional, color who built it, back in the late ’50s, it must have looked like nothing so much as a rib roast. *For more on the Portuguese colonial urban tradition in Brazil, see this: One Brazilian architect dicusses the anti-grid, anti-plaza Portuguese influence, and goes on blithely to pitch the many gated communities her firm has designed for urban Brazilians. The market demands them, she says. They are “permeable”, she says — architect-speak meaning pedestrians can walk through them.

Gated communities, qua their racist, libertarian, tax revolt, and Letterheadweight Training, elitist origins, are anathema to the other great American urban theorist, the Marxist Mike Davis.

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ed's essays The basics of scientific writing are always the same, whatever the task. So, we will focus on essays, including the proper citation of references - see citing references . We start with a short section on Getting started (overcoming writer's block). If you don't have this problem then go straight to How to write an essay . Everyone has experienced writer's block, and that's as true for a first-year essay as it is for a PhD thesis. Letterheadweight Training! It is Agreement Contract | Create Professional a psychological hurdle - the Letterheadweight Training, task ahead seems daunting, and Sample Production Template | Create you spend ages trying to Letterheadweight, decide how you will produce the perfect, polished, final product.

Meanwhile you have produced nothing; you are no further forward! Or perhaps you do start - you write the first few paragraphs, you don't feel happy with them, so you rewrite them again and again, and never make progress. Sample Production Template! That's why so many PhD students go past their deadline, and Letterheadweight why some never produce a thesis. The solution is simple, and Compensation Plan Template it always works. Let's assume that you have done all the Letterheadweight Training, preparation - you know more or less what you want to write about, and you have accumulated lots of rough notes or experimental results, etc. Start writing, keep going, and don't look back until you get to the end! Remember that this is Service Agreement | Create Professional your first draft , and no-one else will see it. Don't worry about the finer points of structure. Don't worry about the Letterheadweight, order of your sentences - sometimes the order will be sensible, sometimes not. Don't worry about your spelling or punctuation. Don't worry if you can't find the right word or phrase - just use dashes (--------) or a reminder such as (say something about dogs here) and keep going.

Don't even worry if something you have written is not strictly true or will need to be checked. Just keep going! Once you have produced this rough draft you will have broken the Service Agreement, back of the job. Then you can rearrange whole sections or blocks of Letterheadweight Training, text, putting them where they fit best. And then you can go through the text, correcting anything you need to correct, and Sheet Word inserting anything you need to insert. Everything that I have ever written (including two books, more than 100 scientific papers, and even this web site) was produced initially as a rough draft from Training start to finish , and Writing A Brief then rewritten or rearranged at least 3 times.

The Cut , Copy and Paste buttons on word-processors make the job easy when you have got the basic content in place. Good writing requires preparation, organisation and structure . We don't really need these things in an email message (although it helps!). We certainly need them for Letterheadweight, anything that we want to put on record - an essay, a scientific report, etc. Your first draft (see Getting started ) might conform to Philip Larkin's description. Your final version will take shape when you work through each section in detail. What makes a good scientific essay? The answer is: good structure and Consulting Contract good content . Look at your favourite textbook, or one of the Letterheadweight, good review journals such as Trends ( Trends in Evolution and Ecology , Trends in Microbiology , etc.). Why do you like it?

Because its structure guides you through the subject in an accessible way: the Introduction sets the scene; the separate sections have headings ; the longer sections are divided into sub-sections, with sub-headings , so you don't have to plough through long sections of text; the tables , diagrams and photographs illustrate or summarise key points, while also breaking the text (textbook editors are skilled at making the pages appear interesting); the Conclusion puts everything in perspective, and Fax Cover Sheet Word typically suggests where further work is Training needed;

the References cover key areas referred to in the text. Your essay should have the same features. The long essay composed of Psychotherapy Progress Notes - Google | Progress, continuous text may still hold a place in Arts and Social Sciences, but it no longer has a place in Science. Any piece of writing should have an Training Introduction. It need not be long - perhaps a single paragraph - but it should set the scene clearly. For a scientific paper it is usual to give an overview of previous work in the field, then state why you did your work - e.g. to resolve a specific point that was still unclear - and sometimes to say briefly what your work will show. For an essay it is usual to define clearly the Compensation Plan Template Word, Pdf Documents, subject you will address (e.g. the adaptations of organisms to Letterheadweight, cold environments), how you will address this subject (e.g. by Ramky, using examples drawn principally from the Arctic zone) and what you will show or argue (e.g. that all types of organism, from microbes through to mammals, have specific adaptations that fit them for life in Training, cold environments). The Introduction will be the Compensation Plan - Free Pdf Documents | Creative, first section that you write, but it will probably be one of the last sections that you revise, to make sure that it leads the reader clearly into the details of the subject you have covered. Check-list for the Introduction. Does your Introduction start logically by telling us what the essay is about - for example, the various adaptations to habitat in the bear family (Ursidae)?

Does your Introduction outline how you will address this topic - for example, by an overview of the Training, habitats of bears, followed by in-depth treatment of some specific adaptations? The main body of text should have a clear, obvious structure . In scientific writing, this means that it will have sections , each with a heading, and each section might well have sub-headings , to Psychotherapy Notes Template, cover different aspects. You will need to think about the hierarchies of headings , so that the reader doesn't get lost. There are several ways of doing this, but one example is: MAIN HEADINGS IN CAPITALS (INTRODUCTION, CONCLUSION, ETC.) Section headings in Training, bold lower case ( Mammals of the temperate zone , Birds , etc.) Sub-sections in italics ( The arctic fox , The polar bear , etc.) or underlined . You should include tables , diagrams , and perhaps photographs in your essay. (See tables, diagrams, photographs ). Tables are valuable for Template Word,, summarising information, and are most likely to impress if they show the results of relevant experimental data . Diagrams enable the reader to visualise things, replacing the need for lengthy descriptions. Photographs must be selected with care, to show something meaningful. Nobody will be impressed by Letterheadweight, a picture of a giraffe - we all know what it looks like, so the picture would be mere decoration. But a detailed picture of a giraffe's markings might be useful if it illustrates a key point.

All the points above refer to structure and presentation. But, of Writing / Term Papers And Citations Guide, course, the most important point is that an essay must have substance . For this, you must carefully select the material you will present, order the Training, facts or arguments in the most logical sequence, and make the argument flow . For example, if you are writing an essay about Ramky Appointment &conformation Letter adaptations to Letterheadweight Training, cold environments, it is not enough to just piece together a series of examples - a cold-adapted bacterium, a cold-adapted moss, a cold-adapted bear, etc. Instead, you should have chosen your examples to illustrate the adaptations that they have in common, or the contrasting ways in which they achieve the same result, and make these points as you go through the essay. 1. Often you will have a word limit - say, 2000 words. Plan - Free Pdf Documents | Creative! Typically, this means that you should be within 10% of the target (1800 - 2200 words, excluding references, tables, diagrams, etc.).

Anything much more, or less, is likely to be penalised. 2. How can you cover anything reasonably in 2000 words, when you could write at least 10,000 words on the subject? That's just the point - we (the markers or readers) don't want to read 10,000 words, and Letterheadweight there is no guarantee that it would be any better than 2000 words. Ramky &conformation Letter! You might think that you have a stark choice: cover everything superficially, or cover a few things well. But there is Letterheadweight a third way (if that expression has not been wholly devalued by New Labour). We can call it breadth with depth: cover the main elements of the subject, then focus on Progress Template - Google one or two key issues for Training, more detailed consideration. These issues should be selected carefully - and say so - for topicality, for the particular depth of Plan - Free Word, Pdf Documents, study they have received, etc. Checklist for the main body of text. Does your text have sections with headings and sub-headings? Does the Letterheadweight, text follow a logical sequence, so that the argument flows? Does your text have both breadth and depth - i.e. general coverage of the Progress Notes - Google, major issues, with in-depth treatment of particularly important points?

Does your text include some illustrative experimental (or other scientific) results? Have you chosen the diagrams or photographs carefully, to provide information and Training understanding, or are the illustrations merely decorative? An essay needs a conclusion. Like the introduction, this need not be long, but it should draw the Appointment &conformation Letter, information together and, ideally, place it in a broader context . Unfortunately, the conclusion is often the Letterheadweight, most difficult part of an essay. Student essays all too often end with some bland statement such as As can be seen by the examples I have discussed, organisms that live in cold environments usually have specific adaptations that fit them for these conditions. That's just words: an excuse for Research / Term And Citations, a conclusion. On the Letterheadweight, other hand, a conclusion should not introduce more facts . Consulting Service Agreement | Create Professional! If the new facts are relevant then they should have been mentioned earlier. The best conclusions are those that show you are thinking further. For example, it might be interesting to Training, transfer cold-adapted organisms to more moderate environments and Psychotherapy Notes Template - Google Search | Progress see whether the cold-adapted traits are still expressed. Or, it might be interesting to Letterheadweight, look for sequence homology in Psychotherapy Template - Google | Progress, the genes of cold-adapted organisms and organisms of more moderate environments.

As a last resort, you might use a nice, short quotation - preferably a witty one to put the marker in a good mood! [ A note on Letterheadweight Training conclusions in Template Search, exam answers . Students often end examination essays with a summary of the points mentioned earlier. This is a total waste of time. You can only score the marks once, no matter how many times you repeat a point.] Click here for more guidance on examination technique. In all scientific writing you are expected to cite your main sources of information.

Scientific journals have their own preferred (usually obligatory) method of doing this. The piece of text below shows how you can cite work in an essay, dissertation or thesis. Then you produce an alphabetical list of references at the end of the essay. Citations in the text [We will use colours here, so that you can follow the guidance notes in the reference list.] Jones Smith (1999) showed that the Letterheadweight, ribosomal RNA of fungi differs from that of Consulting Agreement Professional, slime moulds.

This challenged the Letterheadweight, previous assumption that slime moulds are part of the Compensation Plan Template - Free Pdf Documents, fungal kingdom (Toby Dean, 1987) . However, according to Bloggs et al . (1999) the slime moulds can still be accommodated in the fungal kingdom for convenience. This view has been challenged by Letterheadweight, Deacon (1999) . In the reference list at Consulting Agreement Contract | Create Professional, the end of the essay: [List the Letterheadweight, references in Fax Cover Microsoft - Neptun, alphabetical order] Bloggs A.E., Biggles N.H. Bow R.T. (1999) The Slime Moulds . Academic Press, London New York. [ Guidance: this reference is to Letterheadweight, a book. We give the names of all authors, the publication date, title, name of publisher and place of publication. Note that we referred to Plan Pdf Documents | Creative, Bloggs et al .(1999) in Letterheadweight Training, the text. The term et al . is an abbreviation of the Research And Citations A Brief, Latin et alia (meaning and others). We use this abbreviation when there are 3 or more authors, to save cluttering the Training, text. Note also that Bloggs et al . is part of a sentence in the text, so we put only the date in brackets.]

Deacon J.W. (1999) The Microbial World ( [accessed 15 November 1999] [ Guidance: this reference is to Notes, a website. We give the name of the author (or organisation if there is no author) and the full URL (web address). It is sensible to state when you accessed the Letterheadweight Training, site, because the information on web sites can change periodically.] Jones B.B. and Smith J.O.E . (1999).

Ribosomal RNA of slime moulds. Consulting Service | Create Professional! Journal of Ribosomal RNA 12 , 33-38. [ Guidance: this is a reference to a published scientific paper. We give the names of all authors, the Training, date, title of the paper, the journal, volume number (in bold) and page numbers (first and last) of the Ramky Appointment &conformation Letter, paper.] Toby F.S. Dean P.L. (1987). Slime moulds are part of the fungal kingdom. In A. E. Edwards Y. Kane (eds) The Fungal Kingdom . Osbert Publishing Co., Luton.

[ Guidance: this is a reference to Letterheadweight, a chapter in a book edited by Edwards Kane. Writing Research And Citations Method: Guide! We give the Letterheadweight Training, names of all authors, date, title of the article, editors of the book, title of the book, publisher and place of Sheet Microsoft Word, publication. Note how we cited this reference (Toby Dean, 1987) in the text. We put the whole reference in brackets because it was not part of the flow of the sentence. If we wanted to Training, put two references in brackets, we would write: ( Toby Dean, 1987 ; Deacon, 1999 ). / Term Papers A Brief! Typically, we would use chronological order (1987 before 1999) and separate the two references by a semicolon. Technicalities . Tables, diagrams and photographs can be (1) xeroxed into spaces which you leave in Letterheadweight Training, the text, (2) scanned onto Writing A Brief Guide a disk, using a flat-bed scanner, then imported into a Word document, (3) copied from Letterheadweight Training a WWW source and imported into a Word document, or (4) xeroxed and Sample Video Contract Template | Create Professional simply glued into your text. [Click here for Training, guidance on saving and Consulting Service | Create Professional importing images from WWW sources]. Remember that almost anything you use will be covered by copyright. It is wise to ask (email) the Training, owner of a website for permission to use the image in an essay. Writing Research! In my experience few would refuse such a one-off request.

Labelling, legends and acknowledgment . Training! Whenever you use a table, diagram or image in your essay you must : cite the source (e.g. from Bloggs, 1989) use your own legend and explanation , not the Ramky Appointment &conformation Letter, original one. For example: Figure 1. The pathway of synthesis of the Training, amino acid alanine, showing. Ramky &conformation Letter! From Bloggs (1989) . Letterheadweight! [Never use the original legend, because it is Plan Word, likely to have a different Figure number and to have information that is not relevant for your purposes. Also, make sure that you explain any abbreviations or other things that your reader needs to know about the Figure] Often in a scientific essay you will need to quote sections of other people's work. You do this in the standard way, by using quotation marks and citing the source of the information. For example: Mansell (1999) stated that The World is round. Be careful not to Letterheadweight, over-quote. The best advice is to quote only highly significant sentences or phrases, not The world is Ramky Appointment Letter round or All mammals have fur, nor points that could be made equally well in your own words. See the guidance on Plagiarism.

When quoting other people's work, a few rules must be followed . They are stated here, then illustrated in an example. Always quote the words exactly as the person gave them. If you need to Letterheadweight Training, miss out - Google Search | Progress parts of the quoted section because they are not relevant for your purposes, then use an ellipsis (three dots). Training! Note that there are no spaces before or after an ellipsis. If you need to add your own words, to make sense of the quoted material, then put your words in square brackets []. If there is an error in the quoted material then write '(sic)' after it, to show that the error is not yours. Fax Cover Word - Neptun! But this is Letterheadweight Training most unlikely to arise. Sample Production Professional! If you find an error then you would be well advised to quote a more authoritative source!

One of the students wrote . the world is like a giant balloon. [that] spins about Letterheadweight it's (sic) axis. [and] orbits the sun.